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Welcome! I'm so delighted to be here with
you today to moderate our first panel on learning

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and making and tinkering. They're tinkering
their chairs.

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What a great topic to start today. I'm Joan
from C N I, a joint program of the research

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of libraries. I'm going to provide a brief
introduction and turn things over to our panelists

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to make remarks and then we'll open it up
for discussion.

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Participation learning, what's that about?
For me, it emphasizes two important aspects

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of the learning process which many educational
researchers say leads to deeper learning.

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They are first, active learning, doing, not
just passively absorbing the content of a

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subject and second, the notion that learning
is a social process. It may be a group like

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this one engaged in solving problems together
or it may be a person in your community using

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library facilities and technologies to hold
a video conference with someone from the state

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environmental agency.
Some public libraries have benefits from IMLS

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and McAuthor foundation funding to develop
learning labs as Robin mentioned. You can

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see the developing skills with new technologies
is an integral part of these programs. These

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students are engaging in active, social learning
activities. This fits with the library ethos

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to providing equipment to anyone in the community
and helps level the playing field in terms

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of barrier to access in technology due to
economic factors.

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Today some of our presenters will going to
describe talking about 3 D printers and other

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technologies. Some artists are using this
to produce art like this visual presentation.

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One of my favorite new examples.
The profession will benefit from library in

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schools like Syracuse that offers studio environments
where students are encouraged to expect the

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unexpected, collaborate, be inspired by adversity
and color outside the lines.

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Some libraries create active learning environments
uniquely suited to their mission situation

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the student start up exchange at Georgia Tech.
Note the clear connection they make with library

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resources, encouraging students to use it
for market and patent research and multimedia

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development.
Recently, I absorbed this workship. It's an

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open source intended for people building interactive
projects and some of the things included in

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maker spaces.
When your user community consists of children,

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teens, college students, adults of working
age or seniors of all of these, we are all

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creating our digital futures and libraries
have a strong role to play.

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Our panelist this morning are Bill Derry from
the Westport library. Todd Colegrove, and

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Laura Damon. They'll speak in this order and
when all of them have furnished, we'll begin

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some discussion and Q and A. Bill, over to
you.

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>> I'm Bill from the Westport library and
I'm going to give a short presentation on

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some of the highlights of transformative with
our journey with the maker space of the Westport

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library. It began in April  2012 with our
first successful maker fair. And we opened

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up a 20 foot by 16 foot symbol which is making
in the library which is really a symbol because

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it happens everywhere in the library and not
just in the space. It's moving from a place

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of consumption to a place of production. To
a place where individuals are borrowing things

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to a place where tingers and makers can come
together and share and derive and connect.

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We have started with the pipe structure. It
started with one donated 3 D printers and

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then it started with donated power tools and
asking the community to come on in and build

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two airplanes which are made out of wood and
now hang from the wall in our library. It

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was talking about the flight of aviation in
the new environment.

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Then over a year later, we received the IMLS
award and expanded the maker space designed

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thinking center. It was like a museum piece
and going too be participatory. We talk about

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failure. It didn't really work out that way.
What happened is it had two high of a barrier

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to achieve early engagement. That's what we
learned. If it's too high of a barrier, who

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wants to spend the time learning about it
so we modified the center thinking and changed

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name of our making space. We are now the learning
and discovery center which encompasses the

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maker space. The design thinking center is
media production software, career software

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and our previous manager of public services
is now the titled the manager of changing

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job titles can change expectations. Now recently
we had our fourth mini-maker fair.

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The first one we thought 800 would show up,
2 thousand showed up. We're up to 6500 people

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and we co produce this with a sponsor who
was on the board of education, came to us

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one day and said, could I put I'd like to
did a maker fair and use a room in your library

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and we said no. We said we want to co produce
it with you and you can use the whole library.

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It's history now.
He raises the money to make this happen. So

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we get all of the support through our partner.
It costs about $25,000 to put this maker fair

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on at this point and it's one of our needs
assessments and it's a mandate to provide

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ongoing making and learning in the library.
The beauty is in school systems now participate.

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Our makers and residence program brought in
so many new audiences. Each month we had a

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different maker as part of the IMLS grant
and it brought in teens and seniors and entrepreneurs

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and more. Almost all of them have returned
to do nor workshops. The last one of the list

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is a refinery. Two people run an accelerator
in which women come and they spend ten weeks,

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half day workshops looking at social media,
angel investing, fund raising, board development,

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marketing skills, things they need and then
they end with a shark tank event. Our library

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staff attends all of these and provides resources
including maker groups.

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Expanding your audience to national and international
levels increases local awareness and local

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financial support. So when our director and
I went to Russia to teach the makers movement

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to 50 libraries, we ended up with a lot of
visitations from other countries and we also

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ended up with an intern from Malaysia who
was an IT director.

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One of the best outcomes an increase understanding
of the value of intergenerational. Bradly

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made a and John 88, made a trumpet and they
worked together. In the middle, we had an

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83 year old and his granddaughter being trained
by a 12 year old Miles. It's more about experience

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and knowledge than it is about degrees and
awards. It's a flat world.

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We presented a week long three credit maker
and learning course at southern Connecticut

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state University. I thought I had concrete
around my brain and through the week, it was

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crumbled and I could think again. Play causes
the ability to think about, to think in new

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ways. Our library has become an ink batter.
Now, he's bringing back two principles and

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four teaches for a group and a tour and a
little bit of a workshop.

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On Tuesday, we middle school and six teachers
who are doing a three hour workshop. Every

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week, we have one or two schools involved.
We added robots. Oh my God! Robot! They have

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created a flurry of activity. This runs on
a proprietary software. We trained over 600

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people on these robots.
Our Ted X, we have done three in an IMLS series.

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Within on change, economic development and
imagination. I'm telling you they provide

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opportunities for communities to come together
like nothing else. It's an opportunity for

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local people to craft that 18 minute story
with a big idea worth sharing. It's an intense

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learning experience produced by our own community.
Partnerships can be created by your makers.

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Last, this is my closing slides. This would
be an unusual site in our library if you know

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our demographics, a group of Muslims engaged
in an activity. I was surprised when I walked

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in. The lady behind the printer worked with
the blind every week. She produces items in

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books or math concepts for the blind. This
group, the girl in red at the back is blind

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and she was a former student, brought a group
with her with Islamic material to try to convert

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some of it into 3 D printed material.
So wrapping up, next week with have our final

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evaluation of the grant and we're doing, you
know, the typical pre post survey looking

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at our attitudes but I think it's the stories
of transformation we have corrected that are

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more important and that really, speak to the
value of participation learning in the library.

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Thank you!
>> Wow! I mean, that's thrilling, actually,

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if I could borrow the clicker? I wanted to
just introduce myself quickly. Of course,

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I'm Todd coal earlier in the keynote, it talked
about broad national impact and it hadn't

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occurred to me before but that is the business
of libraries, isn't it?

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We are all about broad national impact but
on a very individualized local, one person

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at a time level. I'm honored to be here working
with you guys even if it seems like I may

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be preaching to the choir.
So what we have here, you may have seen this

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info graphic or a piece of it from falcon.
It's really their business is selling furniture

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about active learning but this is part of
the reality that we're dealing with, right?

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Something we have all known and feared a bit.
The long story short, and I can say this to

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someone who has taught for many years in the
class room, not a lot of learning goes on

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in the class room. We have to get outside
of it. It's reflected in this info graphic.

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Ten percent of what we read, we might remember.
20  percent of what we hear. And then we

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get into the passive learning into the active
learning and we're talking about 70  percent

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of what they do and write. And 90  percent
of what they do, that becomes part of them.

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What we need to be doing is actively supporting
that and this is what it looks like in the

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library or my library where you have some
scary organic chemistry going on. Similar

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sorts of higher order math. People are getting
it out of their head and actively putting

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it on the wall in a community way where they
can talk to each other and learning and making

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it real. This is something that your average
class room professional or instructor doesn't

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see. This is what actual learning looks like
and it's kind of messy.

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Another part of that where it crosses over
into some of this new making equipment, 3

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D printing is an example. This is a student
who just graduated this last year in bio technology,

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fascinated with a particular type of DNA.
If you're following any of the stories where

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they have been grafting in squid that flour
green, sketchy stuff, right?

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But it's something that fascinated this kid
so much so that this biologist taught himself

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using library resources how to crosswalk a
protein data base into an STL file. It took

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him two months and he owns that now. That's
part of him in a way you can't take away.

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This is the little snip it in the middle is
the active bit. The part around the outside

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that looks like a beer can is just designed
to keep water from tearing it apart.

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Now, I know something that I wanted to learn.
Over included chemical models. This is some

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of the first uses. I had a faculty member
say, after three years of working with this

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model on the two dimensional screen in a three
dimensional modeling software, within 30 

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seconds of handling the physical print out
and turning it over, he realized something

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he would have never been able to do on the
two dimensional computer screen. He realize

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the path was not going to work. He also realized
a better direction he could tinker with. In

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his estimation, he shaved five years off of
his research.

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Student on the right, a national merit scholar
who created we had hand held 3 D scanners

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promptly checked it out and she's been working
with the Smithsonian and they have been looking

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at fossils in the dessert. Looking.
Other parts you see on the table. My favorite

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part may not be the milk duds and the monster
sticks, they have this 

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coming together and going away in the next
half hour. It's this sort of thing that happens.

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In fact, I did say laser cutter. We have one
in the middle of the library where we're actively

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this has become, easily the most heavily used
technology outside of the white boards in

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the library where folks are taking that learning
to another level.

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Take in mind we're a science and engineering
library. What happens is folks will learn

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about something in class but they need to
make it real so it can become part of themselves.

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The same thing with the 3 D printer, they
cross over the barrier where it's not just

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a theoretical discussion in class but a pragmatic,
I'm learning this on the white board but now

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I need to look at it and see the eight it
rations that get it right. That's exactly

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the same thing we see happening.
This is the fundamental part because when

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these kids actually care about it, they are
engaged in a way that you can't buy and when

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they are engaged, they are not only learning
but creating this. We have this wealth of

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innovation that's just coming out of the space.
There are connects and Lego parts strewn across

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the academic library. This, we're not all
clear but right out of the maker space play

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book, this is what we're all about. The reason
we got maker space in the library is to get

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them to a deeper and more engaged level. When
we do that, learning can happen that cannot

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otherwise happen.
Bill, you had mention sometimes there can

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be too high of a threshold to get in. Let
me tell you a quick story about a student

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who was in that case. You'll all recognize
maky maky 

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and the approaching play. They made the mistake
of talking with one of the libraries in library

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and before you now it, he had checked out
a maky maky kit. He came back a week later,

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unbeknownst to us and checked out the inventor
kit and that came back 3 or 4  weeks later

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and returned that and checked out the pie
and the soldering quit kits and the next semester,

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I heard about this guy in engineering about
this amazing kid who had mad skills about

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programming and soldering and he hired him
in his lab.

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And in fact, this is how he taught himself
using library resources with just a mod come

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of help from the library. We find out what
you're interested many and feed that passion.

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He's now about to graduate and you can see
the robotics. One of his senior projects is

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the arm he built and just as a reminder to
all of us in the University, if you are in

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the lab, this is our mission. There's three
legs that form everything that we're doing.

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It's about learning, discovery and the most
important piece that sometimes we forget in

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the library, is that out reach mission where
you're working with a maker fairs, hack a

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thons, start up weekend events and so on.
We'll go to the last slide and I'll transition

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to my colleague.

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>> All right good morning everyone. My name
is Laura and I'm here in my capacity. This

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is mainly a web based project at this point.
It's a story telling platform. We highlight

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the ways that libraries can support the work
of fine and creative artist through interviews

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and future articles about art making that
happens in libraries.

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Okay, so I just wanted to highlight a couple
of elements of learning that I think are particularly

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applicable to library spaces. It provides
an opportunity for creativity which you'll

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see more of in a minute and opportunity for
co learning so students and teachers are teaching

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and learning together.
There's motivation and engagement happening

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through play. The things they're learning
are relevant to their interests and identities

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and we're providing a learning eco system
where people make connections and think critically

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about themselves and their community and their
world.

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All right, so the examples that I'm going
to share today since the ink baiter project

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is a story telling platform. These are stories
we have learned about opportunities. These

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examples are not site specific so they're
not related to a permanent maker space or

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learning lab necessarily. They promote lifelong
learning.

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Each of them highlights a trend that the project
has seen, developing over the last couple

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of years in library programming. They are
the result of careful and thoughtful collaboration

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and they're not necessarily tied to technology
although they can be.

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The first example I want to share is the flex-sis
program. This is at walker center in Minneapolis.

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It's a collaboration with the art centers
librarian and an artist who is in the process

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of developing a series of workshops to talk
about flex sis work called art expanded. The

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library opened the house to this group and
this grew to a regular consistent partnership

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where the library could provide important
historical context and meaning to ground the

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hands on workshops that the artists were leading.
It's difficult to explain to people but the

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historical documents from the library, the
catalogs and publications plus the hands on

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art making component provided attendees with
a well rounded investigation of the exhibition

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and of the flexes movement itself. The trend
we're seeing here's is meaningful and sustainable

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library and artist partnerships.
Here we have a piece. It's a still from an

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animation that was produced as part of the
interactive art trail at the Eden bureau center

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library in Scotland. Through this program
students were invited into the library to

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investigate different collections in the library
and then to create new works of art based

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on research in those collections.
The new art works were then displayed around

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the library to form an interactive art trail
where creative and visual interpretations

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of the library holdings were available for
any library visitor to view. The term we're

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seeing here is self directed research and
learning on the part of the design students.

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This is a really cool brand new program. It's
not even, hasn't quite gotten off of the ground

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yet in the UK. We're going to be futurist
this on the site later in the summer but it's

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called library take over. It's a different
sort of program from making or hands on art

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studio type of programs. The library take
over groups teams of middle and high school

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students with professional theatre artists
and arts administrators. Working in these

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teams students and mentors will brainstorm,
plan, and facilitate large scale creative

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programs such as concerts, performances, poetry
slams, that will take place in library branches.

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So it's a different sort of output but there's
obviously lots of hands on learning happening

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and a lot of real world application plus these
students are able to network with professionals

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in possible career fields for them in the
future. So the trend that we're seeing here

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is professional development for youth.
Okay. So this program here, let's get lost

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finding inspiration in the library stacks
is a program that happens through the bubbler

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public program. It's Madison's maker and arts
programming suite. So many libraries of course,

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host writers groups and even writing workshops
but I'm familiarly drawn to this one which

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is lead by poet Rita for bubbler. They tie
it directly to the library where the workshop

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is taking place. So attendees get training
on how to use the library in a unique and

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special way as inspiration to a new creative
project and they arm themselves with a new

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creative tool. So they have a new exciting
lens through which to view any library they

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visit in the future.
And the trend we're seeing here is that this

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is a program tied closely to library collections,
not just the library as a hosting space. And

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that is that.
>> I know many of the panels today won't be

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using power points but we thought you really
needed to see examples of the kinds of programs

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and projects that are out there. I hope you
enjoy that. So now we're going to open it

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up for discussion, questions. If you have
a question, please raise your hand and someone

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will bring you a mic. We need you to use the
mic since this is a web cast.

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Please state your name and your affiliation
if you have one and ask your question. Who's

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ready? If you're directing it toward a specific
individual, please mention that, otherwise

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any or all of our panel list rel respond.
>> Impressive, wonderful stuff. It makes me

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smile a lot. I am just notices this is focused
on what can happen in a library. I'm wondering

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if we can talking about how these kinds of
participation activities, how the library

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can support that in the place where it's occurring,
in the class room, in the K 12, in the community

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elsewhere, in the art around the street, et
cetera.

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>> Often we go out to schools and we are,
as I said, we're kind of incubators for maker

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spaces in schools so we bring some of our
kits and we go out and look at what they're

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doing in the school and suggest STEM activities
and creative drama that go along with STEM

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to me. So this group that's coming from New
York, we already went to their space first.

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Now they're coming back. We have gone to senior
centers. We're going, part of our grant obligation

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for our robots is to go to areas outside of
Westport which may not be able to afford these

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robots so we're going into bridge port to
the boys and girls club to teach programming

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and get them excited about the robots.
We're hoping at our library, but it's too

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far away for some of them to get there. The
maker fair, we have a huge tent outside so

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it's like, outside of our library, but we
interact with so many people who through the

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year, are not from our library.
Like, for the national maker fair coming up,

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we're part of the state maker we created our
own collaborative so we have a Google hang

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out we talk to everybody. The six other maker
spaces in Connecticut. We are connected to

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them. They are not library maker spaces. We
see ourself as different but boy do we need

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those maker spaces for teachers and they come
in the library and they're not regular library

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users but they are now.
>> And I would have to jump in and say, you're

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absolutely right! The learning happens where
our customers are, where the people are engaged

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with this stuff and that's why many of the
examples that you saw were pictures of things

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in the library where I caught them in the
library caught them as if it's a bad thing

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but the reality is, that's why we have lend
able technologies. That's why you can check

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it out or a $25,000 hand held scanner. That's
because there's an explicit understanding

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is you need to take it where you're working
to make it real.

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I want to mention, Laura, you mentioned a
powerful word. One thing we see more of, this

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co working, co learning space and in our communities,
they often use the space of the library as

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a place to co learn but that doesn't mean
that's the only place where it happens. In

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fact, I have the warped perception is the
library is wherever our customers are. It

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has very little to do with the physical building
itself. It just happens to be that's where

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we check things in and out.
>> One thing we didn't really talk about is

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digital resources and sort of meeting our
customers where they are and often that's

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online and I think that's another thing to
consider as well.

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>> I'm Mary, University of Denver and I'm
interested in how, or what are some of the

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challenges that you've seen or think are out
there when it becomes to evaluating the effectiveness

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of your work.
>> That is a definite challenge. Especially

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because this survey is going to do the typical
counting and we're going to have a pre and

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post. We have 15 videos on transformation
we put up on the website. We think the stories,

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they just take too long. How do you pass all
of the stories along unless you record them

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in some way. That's one way we have effective
understanding of the change that's taking

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place.
>> And I would jump in and say from the academic

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library standpoint, one of the biggest challenges
we have right out of the gate is just defining

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what the metrics are. We get so hung up in
some of our traditional metrics, we ignore

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the giant elephant but the reality is, higher
Ed is not around the assumption that all learning

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takes place in the class room.
So it's, it's puzzling to our upper administrators

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that were asked, wanting to explore learning
in spaces outside of the class room and we

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have to in fact, tap dance through a mine
field to avoid irritating peoples. Right now,

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we have anecdotal measures, that we see in
the folks that are learning the stuff and

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using our resources in the library, the larger
problem is they get hired into jobs before

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they even graduated because they are so head
and shoulders above their peers. That's not

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the kind of metric you want to be reported
to your provost but it is something that points

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us in the direction.
>> I'd like to comment I think we need to

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think very broadly about assessment here and
it isn't just about the numbers although having

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the striking number of people coming to a
public library sponsored in broader maker

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fairs is certainly of interest and it's of
interest how many of them come back to the

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library to use other resources as well as
the maker space but I would say turn anecdotes

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into case studies and do it more systemically.
So think about a qualitative research and

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do a, you know, a genuine study, capturing
voices and interviews and get that data.

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There's some things, for example, in a survey
you'll ask various questions but there's some

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things that we have heard you can't anticipate.
You can't state that one of your goals for

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your maker space is to have someone say five
years on his research project. But yet, it's

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extremely important to report a finding like
that. So we need to think very broadly about

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how we do assessment.
>> If I may, I would jump in and say this

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sounds like a job for any of the ARLs that
happen to be in the room. University of Nevada

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is not an ARL. We have a total of four libraries
in my library and two more para professional

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staff and about 18 student workers. We have
all we can handle just keeping things rolling.

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But what needs doing is the case studies to
actually flush it out and tell the story in

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a larger way.
>> Susan, Benton with the urban libraries

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council. Great presentations and I have two
questions for you. One, how have you gone

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about getting your staff transitioning to
being very active in this activity? So just

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wanted to hear about any good ideas that you
have on that or how people inside the library

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are coming into making that transition from
being more passive to active? And the second

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one is, boy, this is so exciting and I can't
imagine any local leader both in the government

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side as well as the business side that wouldn't
be excited about the kind of innovation that's

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occurring through the library and how are
you connecting with your local leaders?

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>> I'd like to jump on that one, actually.
How do we get staff active? I was named as

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the head of our library about five years ago.
It was a very traditional library. The phrase

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I used and my staff and student workers use
is going under the bus. It's just a firm,

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you're the sponsor and you want to see it
happen so you need to firmly support it which

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is not to back up and say, I'm going to enable
you to give me all of the reasons why you

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can't give me a 3 D printing job, and say,
you know, it's hard and let's go under the

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bus and figure it out. In my case, shame works
really well. So what I have is, again, you

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have 18 student workers and they know how
to do this and they're kids, right? I'm sure

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you can figure out how to do this. You're
a very highly trained person, I say that tongue

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and cheek, it doesn't have to be said but
even unsaid, it's a powerful motivator.

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The other part is just in holding that expectation,
that our job in the library is not to keep

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this service desk comfortable and warm. Our
job is actively mixing around. You need too

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be ejecting enthusiasm because to the extent
we can connect the members of our community

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to the library resources they need, we're
doing the work we need to be doing. Again,

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it's not rocket science.
If you get a bunch of bright people in the

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area and you bounce them off one another and
tool them off of resources, they start innovating

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and creating things. In fact, this past month,
my library was named the most innovative space

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of the of the western region in direct recognition
they have been seeing more jobs, more start

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ups, more intellectual property, more new
ideas coming out of that space than anything

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across the entire region.
It's like, you know, I'm not going to get

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in trouble for that, am I? This is our job.
This is what we should be doing.

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>> In terms of training staff, that is not
easy. But we dug in right away, there was

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interest in the idea of making and we had
Westport reeds which was an Amelia book and

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we talked about flying airplanes and looking
at how good they look and nothing says things

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are I think changing than having a group of
librarians doing soldering so we pulled out

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the soldering irons and got the LED lights.
We discussed this is kind of a foundation

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kind of an operation for making and they loved
it!

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Now, we're in our second year and through
the makers in residence and through the workshops,

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so many staff members have understood it better
by watching things happen and change. We have

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four who are totally immersed in this. Our
team library is working so many maker programs

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and our digital manager of digital experience,
manages the robots. He's an interesting person.

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He came from the world wrestle foundation.
He's got a mixed bag but as people get added

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to the staff and as people get changed by
STEM activities, they start doing it. It's

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a slow process.
>> I would also say just see if there's a

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way that you can promote participation learning
for your staff not just for your patrons so

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all of these things we have been talking about,
creativity, co learning, motivation and engagement,

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relevant to their interest and their identities,
the more you can promote that to your staff,

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the more they'll get excited and want to do
the same for their patrons.

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>> And I think, a fundamental fear I have
seen, the more reluctant they are to change,

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the more they're worried that high tech is
making them irrelevant. To the extent you

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can bridge that gap, just have a 3 D modeling
workshop using tinker cat online. Once they

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can do it, it's like, holy heck.
What I find again and again, your most powerful

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allies start as your harshist critics.
>> Environmental play.

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>> We played play to our monthly reports as
a category we need to look at in our work.

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What did we do that is playful and that was
just a way for us to focus on the fact that

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we do have it but we don't usually call it
play and maybe we need to make room for it.

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>> That's really interesting. Next?
>> Katherine, I'm curious, sold that the thinks

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that you're doing are absolutely fantastic
and they match a lot of the other things I

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have heard about, maker space and experiments,
kind of the case study approach and what I

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worry about is resources because resources
are always scant and you know, grant resources

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can only take so many so far. How do we start
to incorporate this more systemically into

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libraries and library partnerships and do
you have any advice for groups that might

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not have grant funding for this. How do you
make this a case for finding money in the

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budget?
>> I know rotary clubs, they love making in

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libraries and they have been very supportive
in our library, they gave us our first 3 D

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printer so community organizations like that
could support, especially, like our 3 D printer

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goes out. You mentioned David in the community,
we go to all kinds of festivals so we were

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at the blues, views and BBQ festival.
It is partnerships and finding way to get

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that one thing funded. We're also looking
at lots of inexpensive ways. A lot of libraries

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are doing $30 science activities and they're
doing experiments and kids get white coats

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and dress up as scientists during that program
so I think there's less expensive ways to

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get into the game and there are partners you
can get that will help support some of the

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more expensive things that you might want.
>> And I couldn't agree more. The bulk of

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all of the making stuff, making and STEM out
reach can happen for little to no dollars,

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period. One of the things we tend too over
look is how much more effective and engaged

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staff, an engaged community is. The dirty
little secret in my library's case, we grew

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the use of that facility space by over 1000 
percent over the course of five years. We

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00:43:43.360 --> 00:43:49.720
didn't have this was at the time that we were
when the governor we were actually cutting

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00:43:49.720 --> 00:43:56.890
entire programs and laying off tennier faculty
and making national news but there wasn't

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00:43:56.890 --> 00:44:07.560
a budget. We got rid of the up to the automated
retrieval system without any additional staff

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00:44:07.560 --> 00:44:12.640
and over the course of the last five years,
we have gained one half of one staff position

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00:44:12.640 --> 00:44:19.060
but I would say, we're still far more engaged.
I was looking at a story not a story but a

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00:44:19.060 --> 00:44:24.380
research study in the last week. It turns
out, if you survey all of the traditional

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00:44:24.380 --> 00:44:31.590
organizational structures, one out of five
employees is engaged. In terms of these new

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00:44:31.590 --> 00:44:40.570
activities, you have 80  percent of capacity
going wasted. You say, we need more staff

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and more bureaucracy to make it happen when
really what you need is to incorporate play

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in your monthly reports. Get them engaged
in what we're doing. Beyond that, once we

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have an engaged community in your staff, that
community includes the members that come into

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the libraries because they start helping one
another too.

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One other thing I want to mention is shared
resources. So my library system is very small.

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My day job is assistant districter for a very
small rural library in Wisconsin. We have

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seven libraries in our system. They applied
for an LSTA grant to get a number of maker

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tools that each library can reserve and borrow
to facilitate programs there.

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We use those things like crazy. You know,
we just I have a bunch of I pad minis, where

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we're doing stop motion, animation workshops
with school groups. Once you can demonstrate

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your community is passionate about something
like that, I think it really helps lay the

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foundation for being able to make the ask
to other sponsors and partners.

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>> I would also comment that in many programs
that I'm aware of that work with new technologies,

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they're sometimes seen by administrators or
other library staff as being the extra things

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or the non essential things and so I think
part of it is a reorientation of whether this

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is a core service that is a mainstream part
of your program, which then leads to reallocation

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of resources.
So many of the programs, not specifically

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maker space that I'm familiar with, do end
up being reallocation of existing library

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resources because so few places are getting
new money these days.

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>> I would chime in to say that's exactly
what happened in our case. In fact, we have

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just over the course of the last year, almost
all of what we have added has been funded

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directly by the vice president of the research
and innovation office. Our library doesn't

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have funds but we have been receiving large
injections of capitol from a place that not

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traditionally giving money to the libraries.
>> One thing that happened to us too is number

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one, to demonstrate sustainable. We wanted
to include a line item in our budget, something

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dealing with the maker space because for two
years, there was nothing in there. We were

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running on IMLS, running on donations so a
huge amount, $40,000 was put into a line item

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that now supports but it's now in the budget,
the yearly budget. And when we brought it

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to the board of finance, they were already
so aware of the maker space and what it was

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accomplishing in the community they didn't
estate. So I think it builds on its own success,

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if the communicants it.
>> I'm going to take the prerogative of the

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chair to ask one final question and that is,
what do you recommend to IMLS for specific

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funding priorities in participation learning
so that projects will have broad impact and

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not just have a beneficial affect on your
own local situation. I welcome, Laura, we

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can start with you.
>> Oh (laughing). Sure, so I think, what I

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would love to see and there might be a version
of this already but a train the trainers sort

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of program. Whether that's through library
systems or associations but something and

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it could be in person or online. But something
that has an inter disciplinary component where

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we're learning about participation learning
that's happening not just in libraries but

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also museums, schools, learning labs and maker
spaces that are not tied to a library, technology

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camps, art centers, things like that.
Really getting that cross pollination happening.

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I think that can also help with future partnerships
and collaborations as well. And something

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where we're able to see tangible examples
whether that's tours or actually attending

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programs or actually participating ourselves
in workshops where we're not just hearing

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about them but we're actually seeing them
in person and participating ourselves. Possibly

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with a liaison component so you train the
trainers and then they work with their system

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or association after that.
>> Thanks Laura, Todd?

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>> I would almost, well, number one, I want
to applaud the support that the IMLS has done

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over the last several years in terms of directing
enabling more STEM learning and out reach.

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As a scientist myself, we need more scientists
and engineers. I would personally like to

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see an explicit acknowledgment with the fact
we're dealing with steam if what we want is

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active learning. We want the engagement of
art right in the middle of the scientists

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and engineers. If you need an argument, do
a quick Google of the you'll find a substantial

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percentage. If we're really aspiring to support
the higher learning we need to incorporate

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that.
The other thing I would encourage is the active

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learning that is happening in our spaces whether
academic library, public library, school library,

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what is happening there when they're rapidly
prototyping and it rating and creating a lot

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of things, particularly when there's artist
and scientists, is you're innovating. You

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are now creating new ideas and things that
never existed before. I would really suggest

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to the extent we can encourage fostering programs
that will support the innovation and the entrepreneurship

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00:50:59.340 --> 00:51:04.070
that's a natural outcome of this learning
in those spaces, I think would be a real win

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for the local and national economies.
>> Well, I have too many so I'm going to mention

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one. Having been a teacher for 35  years
in drama, integration arts and library supervisor

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and then moving to a public library, I realize
there's two kinds of oxygen that are breathed

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in each one.
The schools are closed systems for so many

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reasons and libraries are open systems. I
think that maybe if there was an initiative

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to allow schools to be the primary applicants
and let them create the relationships with

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the partners rather than the other way around,
it might be a way, because I think they're

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on the verge of change. I think things are
happening that are both forcing it and I think

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it could happen if schools were making these
applications for partnerships that would involve

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participation learning.
>> Thank you so much for your thoughts. I

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know all of our speakers will be here through
lunch and through the afternoon so if you

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00:52:09.750 --> 00:52:14.660
have additional questions and I know you do,
I hope you will feel free to approach them

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00:52:14.660 --> 00:52:19.940
and ask them individually.
I hope you will join me in thanking our terrific

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panelists for getting us off to a great start.