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(upbeat music)

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- Hi everybody.

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I'm Soledad O'brien, and it is my honor

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to congratulate the
six winners of the 2022

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National Medal for Museum
and Library Service.

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Libraries and museums
stand the test of time,

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and as you'll learn today from the stories

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of this year's metal recipients,

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one of which was founded
nearly three centuries ago,

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these institutions are the
lifeblood of their communities.

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They observe and engage, they
witness, and they respond.

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Across our lifespans,
libraries and museums

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are impactful teachers,
helping us see ourselves

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and the world around us in new ways,

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and our lives are richer, academically,

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socially, and culturally,

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not just because of
what's inside their walls,

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but what we take away from
our interactions and visits

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long after we leave.

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So I hope that you'll
join me in celebrating

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the three libraries and three museums

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that are the 2022 IMLS
National Medals recipients.

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Congratulations to each
one of you. Thank you.

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- Well, welcome to what is in essence

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the reestablishment of
the IMLS National Medals

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for Museum and Library Service.

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It's been over three years,

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long, brutal years for all of us,

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and we are so glad, so happy to see you,

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to be here with you to celebrate

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what you have done for your communities,

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and indeed for our country.

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We are met in a historic
house, Anderson House,

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the home of the order of the Cincinnati,

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a fraternal, hereditary,

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hereditary through the first born male,

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this may sound familiar to some of you

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who know some of our
history, patriotic society,

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our first patriotic society,
devoted to the remembrance

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of the American Revolution

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and its exalted rights and liberties.

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As we face in our country
today, as you all do,

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and you are all doing it and doing it,

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I think brilliantly and in the right ways,

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we'll get into a polarized nation today.

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Very great difficulties,
people trying to ban books,

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people assaulting statues and paintings.

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This might have seemed familiar
to the founding generation.

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They were at it pretty hard and heavy too,

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in many ways, as was Lincoln's
generation of course.

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We did fight a civil war once,

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which is probably a little worse

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than what we're facing today.

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So we might take solace in that,

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or maybe we don't take solace in that.

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Maybe we think it's
going in that direction,

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but under the themes of
the rights and obligation

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of citizenship, which is certainly a theme

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that we are going to have as
we walk forward at the IMLS,

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and the need for an enlightened
and informed citizenry,

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which the founders
universally wanted, expected,

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and thought was the only ultimate
salvation of the Republic,

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I want to explore what we
as libraries and museums,

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as the cultural leadership
of this country can do,

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and in the case of our medalists,

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are doing, have done for our country.

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The IMLS is a part of America250,

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the commission established by Congress

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to commemorate the 250th anniversary

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of the Declaration of Independence.

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We want to begin thinking
about the conversations

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we can have in our libraries and museums

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that can help us preserve
the spirit of Liberty

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in our republican experiment,

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and provide for new and
reinvigorated pathways

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that we can take together,

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together with our communities,

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together with everyone in our communities,

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in the pursuit of happiness.

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But I wanna leap forward
now to the past two years

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to talk about our place
in the arc of justice,

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what we are almost religiously
calling equity today,

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religiously, relentlessly, and
not unwelcome for all that.

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If we get it right,
equity is about justice.

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It's about fairness.

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Justice and fairness are hard
to define and harder to do.

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The library is a center of
response in the pandemic.

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In Wilmington, of course,
the statewide literacy focus,

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and they pioneered the Barbershop Library.

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Throughout the library
world, libraries in,

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popup libraries in places like
laundromats and barber shops

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and buses and street corners,

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the return of book mobiles,
technologically enabled,

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has been a revolution in
outreach to the people

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who need that outreach, to
the people who need libraries.

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And what's happened is Tocqueville
saw this about Americans,

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and he saw this about
Americans in the 1830s,

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when we were pretty disturbingly
polarized at that time.

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He said that we were good at
meeting needs and problems

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on the ground by creating
local associations

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around those problems, with local groups,

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neighborhood groups, the social
justice groups if you will,

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of the 1830s, solidarity groups,

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that we knew how to
respond at the local level,

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because we trusted each other.

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And that's what happened in
the later days of the pandemic.

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It wasn't the mandates to do
something at the federal level

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or the mandates not to do
something at the state level,

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but our sense of obligation
and duty kicked in.

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Madison also talks about
that, James Madison.

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His sense in parts of "The Federalist,"

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in his notes on government,
his essays in the 1790s,

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talks about mutual
obligation, about reciprocity,

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about the character of
an informed citizenry,

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but even today, we
might not be embarrassed

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to call a virtuous and
enlightened citizenry,

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that it is a necessity
to maintain our republic,

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to be healthy in every sense of the word.

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In that sense, folks
like the Amistad Library

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must be mentioned.

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Its civil rights collection is there

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for the most important
of American communities,

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the community of enlightened citizens,

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those who realize in
dark times that freedom,

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in Danielle Allen words,
must be taken, earned,

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in the sense of the freedom writers,

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of John Lewis standing
on the Pettus Bridge

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or Rosa Parks sitting
on the Montgomery bus.

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They took their freedom,

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earning it for all the rest of us,

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and cashing just one part
of the promissory note,

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the promissory notes of the constitution

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and the declaration.

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Simone Weil, who was a French philosopher,

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was asked by General de
Gaulle to write the program

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for the French resistance
should it take power

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after the end of the Second World War,

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and the first sentence
of "The Need for Roots,"

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the English translation of her program

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for the French resistance,

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her first sentence is I believe

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the most important philosophical sentence

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of 20th century, important
for our century as well,

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maybe more important for us.

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Her first sentence was,
"Obligations precede rights."

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The Oakland Museum and the Burke museum,

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Asheville Museum, have done much

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in their very different ways to give back

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to their communities,
very different communities

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in different ways, a sense of ownership

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in the natural world,
our landscape, our art,

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the art made in and from the community,

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the design of life that makes us at once

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the creatures of nature and
the makers of our environment,

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and as Danielle Allen
says, seeing the beauty,

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the beauty in our flawed
selves, in our flawed history,

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that is equally true and
equally beautiful for all of us

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is our most important
attribute as human beings.

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Madison and Jefferson and Tocqueville saw

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that in a democratic
republic, in a democracy,

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public opinion must always
be the most powerful force.

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We know that today, and it's a dark thing,

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what our public opinion can become.

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To preserve the republic
dedicated to freedom and quality,

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in our case it must become an informed

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and enlightened public opinion.

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To do that we must continue
to learn from each other

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as we learn from the riches
of our libraries and museums.

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The power of what we do,

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what we do in our cultural institutions,

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what Professor Allen
writes about so eloquently,

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is to use all of our power

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driven by a keyword for her,

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and as I said, she'd
wrote an article called

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"Why Love the Constitution?,"

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Love is that keyword,

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and I'd like to end with this story.

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A few of you have heard this,

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but it's an important one to me

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from my Kansas City Public Library life.

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There was a man named Alvin
Sykes who was a musician

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who grew up in public housing

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with only an eighth grade education,

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and as he liked to say, an education

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in the public library after that,

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the Kansas City, Kansas and
the Kansas City, Missouri

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public libraries, friend of his was killed

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in what was clearly a biased
killing at Liberty Memorial,

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Liberty Memorial, our
World War I Memorial,

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and he was acquitted.

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The perpetrator was acquitted by the jury,

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an all white jury.

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Alvin had heard about
the civil rights laws

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being used in cases like this.

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In fact, they've had only been
used once up to that point,

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and he went to the Kansas
City Public Library

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and he asked a reference
librarian about that,

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and they sat down with the U.S. Civil Code

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and found the right place,
and he spent a lot of time

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talking to local prosecutors,
federal prosecutors,

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and he finally got an
assistant attorney general

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in Washington named Anthony Scola,

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who told him that he was right,
and they prosecuted the guy

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and put him away.

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He's still in jail. That
was in the eighties.

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Alvin then became instrumental in solving

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or at least bringing
to court the cold cases

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in the civil rights universe,
including a close relationship

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with Emmett Till's family,
with his cousin Simeon Wright,

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who spoke for us in the
Kansas City Public Library,

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and he became the key when the
Till Bill, as it was known,

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which established the cold case section

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and civil rights division
of justice department,

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was in Congress,

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he became the key person
in passing that bill,

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and the key moment was
when he sat in the office

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of the most conservative
United States senator,

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Senator Coburn, Tom Coburn, who by the way

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was a friend of the IMLS,
Tom Coburn's office,

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and Tom Coburn wouldn't approve the bill,

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not because of anything to
do with race or civil rights,

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but because it wasn't funded,

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and that was a moment when
some people in Congress

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were taking that seriously,

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that's a little joke,

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and Alvin just sat in Tom Coburn's office,

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until finally Senator Coburn
said well I've got three weeks,

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he did this, and finally
Senator Coburn came out

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and said, come on in, let's talk,

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and Alvin convinced Tom
Coburn to waive his rule

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and pass the legislation.

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Probably the most interesting
moment in my career

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was when I had a
conversation with Alvin Sykes

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and Tom Coburn before 300
people in the library,

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and the importance of that
was, here's Alvin Sykes,

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who was a Buddhist social
justice lawyer, a jazz musician,

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he was converted to
Buddhism by Herbie Hancock,

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sitting down with Tom Coburn,

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the most conservative man
in the United States Senate

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at the time, who was a deeply
believing Christian, a doctor,

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and the conversation they
had, there was one key word

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in that conversation that
recurred, and it was love,

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and Tom Coburn said
about Alvin that he knew,

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because Alvin presented love,

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because he came to literally,
he said, love Alvin,

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Alvin said the same thing about him,

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that he understood that
everything Alvin did,

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every act in Alvin's life, was pure.

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In our deeply skeptical world,

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there is room and need
for what the 12 of you,

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our medalists, have, there is need,

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sorry, there's room for, and
more importantly need for,

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what you do more than ever.

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I'm gonna call you the 12
disciples (audience laughs),

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because you do it for the best reasons,

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00:13:49.290 --> 00:13:54.290
for the pure reasons, with
faith and hope and love.

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Thank you.

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00:13:57.304 --> 00:13:59.471
(upbeat music)

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00:14:03.780 --> 00:14:05.130
- When you have a piece of history

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00:14:05.130 --> 00:14:07.290
that bears the same name as yours,

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a lot can be expected of you.

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Let me tell you, the Amistad delivers.

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Part museum and part archive,

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the center brings together
a rich collection of art,

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00:14:18.720 --> 00:14:21.330
culture, and our shared history,

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to tell stories of Louisiana

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00:14:23.460 --> 00:14:27.000
and the African American
experience through the centuries,

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each of them unique,
beautiful, and remarkable.

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A key goal of the center's leadership

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is bringing these stories to the public,

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even to those who can't
physically get to New Orleans.

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Their traveling exhibitions are designed

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to open eyes and open minds.

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Likewise, they have dedicated themselves

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to digitizing their
artifacts, so that technology

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is the only key you
need to explore Amistad.

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What I love about the center
is that through their doors,

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you literally walk into history.

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Amistad is really a treasure for me

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because many of my stories are set

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in Louisiana or the South,

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and for the research that I
need, I rely on the Amistad.

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It's usually my first place of contact.

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00:15:18.030 --> 00:15:21.990
Many times, it's the
personal papers that I find

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at the Amistad or some of
their historical research,

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the archives that I find,

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00:15:26.700 --> 00:15:29.580
help me because those materials

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00:15:29.580 --> 00:15:32.730
are not in other archives or locations.

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00:15:32.730 --> 00:15:35.220
Many times they're not in
print, they're not published,

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so I can come here for interviews
and for personal papers,

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like civil rights leaders,

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that really help me with
the information that I need.

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00:15:44.790 --> 00:15:48.570
Even if people cannot come
to the location physically,

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a lot of information is online,

295
00:15:50.700 --> 00:15:53.280
and I'm thinking
specifically about educators,

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because many times now traveling
or going on field trips

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is cost prohibitive, but
there's so many programs

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00:16:04.470 --> 00:16:06.930
and advantages that are
available to teachers

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and to classrooms digitally,

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00:16:10.140 --> 00:16:12.930
and there's a wonderful
program that the Amistad has,

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I think it's called Amistad on the go,

302
00:16:15.180 --> 00:16:18.900
that is so clever, so timely,

303
00:16:18.900 --> 00:16:21.150
and it's a great resource for teachers,

304
00:16:21.150 --> 00:16:23.883
so I just invite
educators to check it out.

305
00:16:25.350 --> 00:16:27.690
- Hello, my name is Kim Boyle,

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00:16:27.690 --> 00:16:29.880
and I'm the chairperson and president

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00:16:29.880 --> 00:16:31.020
of the board of directors

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00:16:31.020 --> 00:16:34.560
of the Amistad Research
Center in New Orleans.

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00:16:34.560 --> 00:16:37.590
On behalf of our phenomenal
city of New Orleans

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00:16:37.590 --> 00:16:39.240
and the state of Louisiana,

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00:16:39.240 --> 00:16:43.680
Amistad is honored to accept a 2022

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00:16:43.680 --> 00:16:47.460
National Medal for Museum
and Library Service.

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00:16:47.460 --> 00:16:50.670
Tracing its history to an 1841

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00:16:50.670 --> 00:16:52.770
United States Supreme Court case

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00:16:52.770 --> 00:16:55.590
involving the trans-Atlantic slave trade,

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Amistad is more than an archive
and library about struggle.

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00:16:59.820 --> 00:17:04.320
Amistad is a place where the
stories and triumphs of leaders

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00:17:04.320 --> 00:17:07.440
and everyday people from all walks of life

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00:17:07.440 --> 00:17:10.170
continue to live in the public's mind.

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00:17:10.170 --> 00:17:12.480
Through Amistad's
efforts to provide access

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to our collections,
those from many years ago

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00:17:16.140 --> 00:17:18.720
to those documenting today's world,

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as well as the educational
programming, exhibitions,

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00:17:22.260 --> 00:17:25.410
and partnerships that are
born from those collections,

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Amistad is a community
resource for scholars,

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00:17:28.380 --> 00:17:33.380
educators, students, family
historians, artists, and others.

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00:17:33.690 --> 00:17:38.370
Our community continues to
inspire us to open our archives

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00:17:38.370 --> 00:17:42.390
to all who wish to learn about
the fundamental underpinnings

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00:17:42.390 --> 00:17:45.210
that make up our country's complex,

330
00:17:45.210 --> 00:17:49.110
rich, and beautiful ethnic tapestry.

331
00:17:49.110 --> 00:17:53.730
Now more than ever, Amistad's
work is critically important.

332
00:17:53.730 --> 00:17:57.720
No matter the audience, Amistad's
collections and programs

333
00:17:57.720 --> 00:18:01.440
have the power to elucidate,
explain, and inform,

334
00:18:01.440 --> 00:18:03.600
but perhaps more importantly,

335
00:18:03.600 --> 00:18:06.780
Amistad also has the
power to nurture the minds

336
00:18:06.780 --> 00:18:10.980
and wellbeing of individuals
from every generation,

337
00:18:10.980 --> 00:18:13.230
to drive community engagement,

338
00:18:13.230 --> 00:18:16.830
and to catalyze lasting social change.

339
00:18:16.830 --> 00:18:17.663
Thank you.

340
00:18:33.150 --> 00:18:35.340
- I'm Laura Mitchell, and
I'm thrilled to introduce you

341
00:18:35.340 --> 00:18:38.850
to the amazing work of
the Asheville Art Museum.

342
00:18:38.850 --> 00:18:40.350
Their dedication to interpreting

343
00:18:40.350 --> 00:18:43.080
Southern Appalachian
artwork, uniting all media

344
00:18:43.080 --> 00:18:47.100
to fully illustrate its
rich history is unmatched.

345
00:18:47.100 --> 00:18:49.440
As the new museum building
welcomes you into the world

346
00:18:49.440 --> 00:18:52.470
of American art through
its inviting glass facade,

347
00:18:52.470 --> 00:18:55.740
it's hard not to feel an
instant connection to the place

348
00:18:55.740 --> 00:18:59.070
and person-centered
collections and installations,

349
00:18:59.070 --> 00:19:00.330
no matter what part of the world

350
00:19:00.330 --> 00:19:02.580
you're visiting Asheville from.

351
00:19:02.580 --> 00:19:04.050
Even in the face of the pandemic,

352
00:19:04.050 --> 00:19:06.390
shortly after their grand reopening,

353
00:19:06.390 --> 00:19:08.430
they were determined to find creative ways

354
00:19:08.430 --> 00:19:11.493
to keep visitors digitally
engaged and learning.

355
00:19:12.450 --> 00:19:14.430
Let's take a closer
look at some of the ways

356
00:19:14.430 --> 00:19:17.940
they've been building
partnerships and making an impact

357
00:19:17.940 --> 00:19:20.193
in our community and region as a whole.

358
00:19:23.130 --> 00:19:26.460
One of the most exciting
connections is the opportunities

359
00:19:26.460 --> 00:19:28.080
that the Asheville art Museum gives

360
00:19:28.080 --> 00:19:29.910
to our students and our teachers,

361
00:19:29.910 --> 00:19:31.290
and as well as our families.

362
00:19:31.290 --> 00:19:33.930
Museum educators here at
the Asheville Art Museum

363
00:19:33.930 --> 00:19:38.520
work closely with me to build
some professional development

364
00:19:38.520 --> 00:19:39.780
that is really, truly meaningful

365
00:19:39.780 --> 00:19:41.430
and relevant to our teachers.

366
00:19:41.430 --> 00:19:42.720
Across the whole curriculum,

367
00:19:42.720 --> 00:19:45.420
they can make those arts
integration connections.

368
00:19:45.420 --> 00:19:47.100
One of the other things
the art museum does

369
00:19:47.100 --> 00:19:51.660
is they host the Regional
Scholastic Art Awards,

370
00:19:51.660 --> 00:19:56.660
and this is such a gift to our
community and to our students

371
00:19:57.960 --> 00:19:59.370
here in Western North Carolina,

372
00:19:59.370 --> 00:20:02.970
because they do a phenomenal
job of exhibiting the work

373
00:20:02.970 --> 00:20:04.230
in a very professional manner,

374
00:20:04.230 --> 00:20:07.890
and then they bring in
the students and parents

375
00:20:07.890 --> 00:20:10.560
and have a beautiful award ceremony,

376
00:20:10.560 --> 00:20:14.730
and the students can actually
see themselves as artists.

377
00:20:14.730 --> 00:20:18.330
They provide art camps for
our students in the summer,

378
00:20:18.330 --> 00:20:20.970
and they also employ
some of our own educators

379
00:20:20.970 --> 00:20:22.860
here in Macon County Schools.

380
00:20:22.860 --> 00:20:25.720
I would say also, just
working with the staff here

381
00:20:26.700 --> 00:20:29.100
and just how personable they are

382
00:20:29.100 --> 00:20:31.740
and how connected they
are to our community,

383
00:20:31.740 --> 00:20:33.420
that's just one of the biggest strengths,

384
00:20:33.420 --> 00:20:37.920
is just that they want to serve others

385
00:20:37.920 --> 00:20:41.550
and they want to serve the
community by sharing visual art.

386
00:20:41.550 --> 00:20:44.340
- Western North Carolina
has artistic traditions

387
00:20:44.340 --> 00:20:46.170
that go back to the Native Americans

388
00:20:46.170 --> 00:20:48.510
who first settled in the region,

389
00:20:48.510 --> 00:20:50.790
and include diverse contributions of those

390
00:20:50.790 --> 00:20:53.343
who later made Southern Appalachia home.

391
00:20:54.180 --> 00:20:56.490
There are contemporary
creatives working here

392
00:20:56.490 --> 00:20:58.980
and excelling in every art form.

393
00:20:58.980 --> 00:21:02.490
There are also robust venues
to engage with the arts,

394
00:21:02.490 --> 00:21:04.560
but there has never been an anchor,

395
00:21:04.560 --> 00:21:06.810
a highly visible arts institution

396
00:21:06.810 --> 00:21:08.940
proclaiming the centrality of the arts

397
00:21:08.940 --> 00:21:10.653
to our community's wellbeing.

398
00:21:11.610 --> 00:21:16.610
We set out to create just such
a place, accessible to all.

399
00:21:16.650 --> 00:21:19.620
The project took more than
a decade to come to fruition

400
00:21:19.620 --> 00:21:22.650
and involved the efforts of hundreds.

401
00:21:22.650 --> 00:21:24.750
The museum is a place of learning,

402
00:21:24.750 --> 00:21:27.210
inspiration, and sharing.

403
00:21:27.210 --> 00:21:29.280
Uniquely it celebrates the region's

404
00:21:29.280 --> 00:21:31.680
important aesthetic contributions

405
00:21:31.680 --> 00:21:34.293
and that of America, in dialogue.

406
00:21:35.160 --> 00:21:39.270
Our programs serve populations
from preschool to seniors.

407
00:21:39.270 --> 00:21:42.330
We love it when an artist
tells us of a pivotal moment

408
00:21:42.330 --> 00:21:44.970
when their own practice was enhanced.

409
00:21:44.970 --> 00:21:48.750
When we overhear memories
evoked and stories shared

410
00:21:48.750 --> 00:21:53.220
between elder and younger,
when a child has an aha-moment

411
00:21:53.220 --> 00:21:54.600
with a work of art,

412
00:21:54.600 --> 00:21:57.450
or perhaps their first
time in an elevator,

413
00:21:57.450 --> 00:22:00.990
their horizons are
expanded, and so are ours.

414
00:22:00.990 --> 00:22:03.510
Each day our encounters
with visitors tell us

415
00:22:03.510 --> 00:22:06.303
how important the works of museums is.

416
00:22:07.290 --> 00:22:09.750
This honor is for the whole community.

417
00:22:09.750 --> 00:22:13.170
Rightly known for our beautiful
mountains, beer and food,

418
00:22:13.170 --> 00:22:16.173
the national medal puts
the arts front and center.

419
00:22:17.040 --> 00:22:19.620
Our challenge was and is

420
00:22:19.620 --> 00:22:22.530
to remain a responsive organization,

421
00:22:22.530 --> 00:22:25.440
learning from each visitor, meeting needs,

422
00:22:25.440 --> 00:22:28.710
expanding vital programs and partnerships,

423
00:22:28.710 --> 00:22:31.770
and creating an equitable
and accessible space

424
00:22:31.770 --> 00:22:33.720
that shares our collections

425
00:22:33.720 --> 00:22:36.420
and honors and supports creativity,

426
00:22:36.420 --> 00:22:38.013
learning, and connection.

427
00:22:39.060 --> 00:22:41.850
The amazing staff, trustees, members,

428
00:22:41.850 --> 00:22:45.810
and supporters across the
nation make our work possible.

429
00:22:45.810 --> 00:22:47.250
We want to thank the Institute

430
00:22:47.250 --> 00:22:50.580
of Museum and Library
Services for all that they do,

431
00:22:50.580 --> 00:22:52.500
and for this incredible honor,

432
00:22:52.500 --> 00:22:55.530
which shines a light,
not only on our museum,

433
00:22:55.530 --> 00:22:58.170
but on our area's
amazing creative heritage

434
00:22:58.170 --> 00:23:00.183
and contemporary arts community.

435
00:23:16.140 --> 00:23:18.120
- Hi, I'm Linda Kotthoff,
and I have the pleasure

436
00:23:18.120 --> 00:23:20.400
of telling you a little about
one of my favorite places,

437
00:23:20.400 --> 00:23:22.230
the St. Louis County Library.

438
00:23:22.230 --> 00:23:24.720
The library's 20 branches
are everything you imagine

439
00:23:24.720 --> 00:23:26.250
when you think of a traditional library,

440
00:23:26.250 --> 00:23:29.430
like reading clubs and research materials,

441
00:23:29.430 --> 00:23:31.650
but look more deeply and
you'll see an organization

442
00:23:31.650 --> 00:23:34.890
that supports its community
members across the lifespan,

443
00:23:34.890 --> 00:23:37.500
from diapers to digital devices,

444
00:23:37.500 --> 00:23:40.680
from a supermarket on wheels
to a mobile vision care unit.

445
00:23:40.680 --> 00:23:43.080
To me, the St. Louis
County Library embodies

446
00:23:43.080 --> 00:23:45.780
what a community partner
can and should be,

447
00:23:45.780 --> 00:23:47.820
responsive to the needs around it,

448
00:23:47.820 --> 00:23:49.620
and at a time when we all need maybe

449
00:23:49.620 --> 00:23:51.660
a little bit more help than usual,

450
00:23:51.660 --> 00:23:54.630
the library is there, helping
us connect to each other

451
00:23:54.630 --> 00:23:57.120
and to services that can
make our lives better.

452
00:23:57.120 --> 00:23:59.580
Here are some of the
reasons we all feel lucky

453
00:23:59.580 --> 00:24:01.503
that this institution belongs to us.

454
00:24:03.540 --> 00:24:06.060
It's beautiful. It's absolutely gorgeous.

455
00:24:06.060 --> 00:24:09.633
It's so much bigger, or they
have a lot more room for books.

456
00:24:10.710 --> 00:24:14.490
It's two stories, and
they have more rooms to do

457
00:24:14.490 --> 00:24:16.260
like computer programs and things.

458
00:24:16.260 --> 00:24:18.720
I actually have grown up at the library.

459
00:24:18.720 --> 00:24:21.210
My parents used to take me
there when I was little.

460
00:24:21.210 --> 00:24:24.630
Then, as I got older and had my own kids,

461
00:24:24.630 --> 00:24:28.860
I seriously brought them
up going to the library.

462
00:24:28.860 --> 00:24:30.870
I mean, we went from
when they were very tiny,

463
00:24:30.870 --> 00:24:32.790
we would go for story time,

464
00:24:32.790 --> 00:24:35.700
and we got very involved with
doing all of the activities

465
00:24:35.700 --> 00:24:38.370
and all of the different
things that they offered,

466
00:24:38.370 --> 00:24:40.770
got to know the librarians very well,

467
00:24:40.770 --> 00:24:42.630
fairly close to them,
I would say (laughs),

468
00:24:42.630 --> 00:24:44.190
and I got involved with the art club,

469
00:24:44.190 --> 00:24:46.440
which was every Wednesday,

470
00:24:46.440 --> 00:24:48.630
and then I got my dad
involved with the art club,

471
00:24:48.630 --> 00:24:50.700
and it was really nice just spending

472
00:24:50.700 --> 00:24:54.120
that couple hours together each week.

473
00:24:54.120 --> 00:24:57.840
And then I've done tons
of the garden programs

474
00:24:57.840 --> 00:24:58.800
that they have.

475
00:24:58.800 --> 00:25:01.320
We do have a community garden up here

476
00:25:01.320 --> 00:25:02.580
at the Grant's View Branch

477
00:25:02.580 --> 00:25:05.190
that we have had since the beginning,

478
00:25:05.190 --> 00:25:07.260
and we really enjoy that,

479
00:25:07.260 --> 00:25:08.490
and growing our own stuff,

480
00:25:08.490 --> 00:25:13.490
and I've done a bunch of
exercise classes, Zumba and yoga,

481
00:25:14.070 --> 00:25:15.630
all kinds of different things like that,

482
00:25:15.630 --> 00:25:19.170
so I feel very much a part of the library.

483
00:25:19.170 --> 00:25:20.430
- We are incredibly honored

484
00:25:20.430 --> 00:25:22.320
to receive this prestigious award

485
00:25:22.320 --> 00:25:24.660
honoring the work of our employees.

486
00:25:24.660 --> 00:25:26.640
The St Louis County Library's Efforts

487
00:25:26.640 --> 00:25:28.800
to intentionally steer our priorities

488
00:25:28.800 --> 00:25:30.420
to support the community

489
00:25:30.420 --> 00:25:33.390
were more important than
ever during the pandemic.

490
00:25:33.390 --> 00:25:36.720
We look for opportunities
to bridge gaps in service

491
00:25:36.720 --> 00:25:40.260
for issues like the digital
divide, food insecurity,

492
00:25:40.260 --> 00:25:42.960
economic instability, health disparities,

493
00:25:42.960 --> 00:25:45.060
and working with the justice involved.

494
00:25:45.060 --> 00:25:47.760
We make it a priority to remove barriers

495
00:25:47.760 --> 00:25:50.700
and increase access to library services.

496
00:25:50.700 --> 00:25:54.750
Throughout the pandemic, we
have provided essential services

497
00:25:54.750 --> 00:25:58.620
to help people stay
connected, access resources,

498
00:25:58.620 --> 00:26:00.210
and continue learning.

499
00:26:00.210 --> 00:26:02.100
Together with our community partners,

500
00:26:02.100 --> 00:26:06.030
we have provided meals,
diapers, technology,

501
00:26:06.030 --> 00:26:10.440
tutoring, vaccines, and rental
assistance at our branches.

502
00:26:10.440 --> 00:26:12.690
Our efforts to address the digital divide

503
00:26:12.690 --> 00:26:15.780
were particularly impactful during COVID.

504
00:26:15.780 --> 00:26:18.990
Last year we provided
1500 GrandPad tablets

505
00:26:18.990 --> 00:26:22.230
with built in data and
internet to older adults.

506
00:26:22.230 --> 00:26:25.080
We have heard from many
thankful recipients.

507
00:26:25.080 --> 00:26:27.037
One senior wrote to us and said,

508
00:26:27.037 --> 00:26:28.860
"I wanted to say thank you.

509
00:26:28.860 --> 00:26:30.450
You saved my life.

510
00:26:30.450 --> 00:26:33.660
I picked up my GrandPad
yesterday and I love it.

511
00:26:33.660 --> 00:26:35.610
I've been on it all night long.

512
00:26:35.610 --> 00:26:38.550
You did a blessed thing
for senior citizens,

513
00:26:38.550 --> 00:26:40.410
because this will entertain you

514
00:26:40.410 --> 00:26:42.930
and keep you from being sad and lonely.

515
00:26:42.930 --> 00:26:45.330
It's so easy for people like me,

516
00:26:45.330 --> 00:26:48.420
illiterate when it comes to
gadgets, but this is beautiful,

517
00:26:48.420 --> 00:26:50.160
and I just wanted to tell somebody

518
00:26:50.160 --> 00:26:52.590
at the library, thank you."

519
00:26:52.590 --> 00:26:56.550
Libraries move people forward
wherever they are in life,

520
00:26:56.550 --> 00:26:58.470
and this is what the employees

521
00:26:58.470 --> 00:26:59.910
at the St. Louis County Library

522
00:26:59.910 --> 00:27:02.010
are doing every single day.

523
00:27:02.010 --> 00:27:02.843
Thank you.

524
00:28:37.560 --> 00:28:39.630
- Imagine a museum founded by teenagers

525
00:28:39.630 --> 00:28:40.830
more than a century ago

526
00:28:40.830 --> 00:28:42.960
in response to the cultural exploitation

527
00:28:42.960 --> 00:28:44.370
that they saw around them.

528
00:28:44.370 --> 00:28:46.410
Their commitment to
preserving the artifacts

529
00:28:46.410 --> 00:28:47.880
and personal histories of the people

530
00:28:47.880 --> 00:28:49.800
who call the Puget Sound home

531
00:28:49.800 --> 00:28:52.440
is the foundation upon
which the Burke was created

532
00:28:52.440 --> 00:28:54.780
and continues in its DNA today.

533
00:28:54.780 --> 00:28:57.270
I'm Rachael Tamngin, and
it is my distinct pleasure

534
00:28:57.270 --> 00:28:58.950
to introduce you to one of our country's

535
00:28:58.950 --> 00:29:01.410
most magnificent, multifaceted,

536
00:29:01.410 --> 00:29:04.320
mind blowing museums here
in Seattle, Washington.

537
00:29:04.320 --> 00:29:07.500
We've come a long way
since our founding in 1885.

538
00:29:07.500 --> 00:29:10.230
Visitors today will be wowed
by the unparalleled study

539
00:29:10.230 --> 00:29:12.720
and preservation of the fish species,

540
00:29:12.720 --> 00:29:14.160
including eggs and larvae.

541
00:29:14.160 --> 00:29:16.020
Their jaws will drop in examining

542
00:29:16.020 --> 00:29:18.630
our 100% complete T-Rex skull,

543
00:29:18.630 --> 00:29:21.630
or they may lose themselves
exploring our vast collection

544
00:29:21.630 --> 00:29:24.780
of Northwest Native art, of
which we are extremely proud,

545
00:29:24.780 --> 00:29:27.873
but that, as they say, is
just the tip of the iceberg.

546
00:29:30.300 --> 00:29:33.180
I would say the best thing
about the Burke in my opinion

547
00:29:33.180 --> 00:29:35.820
is just the community
that I've built here,

548
00:29:35.820 --> 00:29:37.920
and we were able to be ourselves,

549
00:29:37.920 --> 00:29:41.400
didn't have to perform for
the academy or classes,

550
00:29:41.400 --> 00:29:42.930
just working with different departments.

551
00:29:42.930 --> 00:29:45.390
Everybody's really great to work with.

552
00:29:45.390 --> 00:29:49.350
We were asked to commission
a traditionally woven

553
00:29:49.350 --> 00:29:54.350
pandanus sail for long voyaging canoe

554
00:29:54.450 --> 00:29:57.750
to be exhibited in the museum space.

555
00:29:57.750 --> 00:30:00.270
The Burke Museum was really instrumental,

556
00:30:00.270 --> 00:30:03.900
and the crew that helped install the sail

557
00:30:03.900 --> 00:30:07.530
was really a key part of
making all of this happen,

558
00:30:07.530 --> 00:30:10.260
and so, you know, building
that relationality

559
00:30:10.260 --> 00:30:14.070
that's so important to Pacific
Islander culture and values,

560
00:30:14.070 --> 00:30:16.560
that we also incorporate in our research,

561
00:30:16.560 --> 00:30:18.210
really made this happen,

562
00:30:18.210 --> 00:30:21.750
and so now people visit the
sail and the exhibit space,

563
00:30:21.750 --> 00:30:26.250
and coming from all different
seafaring communities,

564
00:30:26.250 --> 00:30:29.400
or communities that
have weaving practices,

565
00:30:29.400 --> 00:30:31.260
and they're able to connect with the sail

566
00:30:31.260 --> 00:30:33.750
so it's been very important
for us to have this space

567
00:30:33.750 --> 00:30:38.460
and to use our knowledge
and values from our cultures

568
00:30:38.460 --> 00:30:42.930
to influence transformation
in museum spaces.

569
00:30:42.930 --> 00:30:45.480
- The Burke Museum is
honored to be recognized

570
00:30:45.480 --> 00:30:48.930
for its commitment to
serving our communities.

571
00:30:48.930 --> 00:30:51.270
As Washington State's museum,

572
00:30:51.270 --> 00:30:53.457
we are a working research museum

573
00:30:53.457 --> 00:30:56.490
and a living cultural organization.

574
00:30:56.490 --> 00:31:00.480
Co-creating knowledge with
communities isn't optional.

575
00:31:00.480 --> 00:31:04.020
It is an imperative if
we want to truly live

576
00:31:04.020 --> 00:31:06.630
and fulfill our mission.

577
00:31:06.630 --> 00:31:09.030
Above all, our driving vision

578
00:31:09.030 --> 00:31:11.820
is creating transparency and access.

579
00:31:11.820 --> 00:31:13.800
We live in a time where people feel

580
00:31:13.800 --> 00:31:15.960
disconnected from each other,

581
00:31:15.960 --> 00:31:20.730
from our histories and cultures,
and from the natural world.

582
00:31:20.730 --> 00:31:23.790
Our commitment to our vision comes to life

583
00:31:23.790 --> 00:31:27.150
in the new "Inside-Out" model building,

584
00:31:27.150 --> 00:31:30.000
which brings visitors into close,

585
00:31:30.000 --> 00:31:34.020
meaningful engagement with
the Burke's research labs,

586
00:31:34.020 --> 00:31:38.250
workrooms, and collection
areas, which are open to you.

587
00:31:38.250 --> 00:31:41.670
And we also work to
bring the Burke to people

588
00:31:41.670 --> 00:31:44.550
who may not be able to visit us in person,

589
00:31:44.550 --> 00:31:47.790
through all of our traveling
and virtual programs

590
00:31:47.790 --> 00:31:51.330
and our online searchable
collection database,

591
00:31:51.330 --> 00:31:53.550
which we continue to digitize

592
00:31:53.550 --> 00:31:56.463
to make it more accessible
to our communities.

593
00:31:57.420 --> 00:31:59.970
Our work depends on connections.

594
00:31:59.970 --> 00:32:02.940
We collaborate with
institutions, communities,

595
00:32:02.940 --> 00:32:06.810
and tribal nations to understand our past,

596
00:32:06.810 --> 00:32:09.510
face the challenges of our present,

597
00:32:09.510 --> 00:32:14.043
and create positive community
center change in the future.

598
00:32:29.010 --> 00:32:32.460
- I am thrilled and
honored to present to you

599
00:32:32.460 --> 00:32:35.940
the Institute of Museum
and Library Services

600
00:32:35.940 --> 00:32:39.990
2022 National Medal Award Winner,

601
00:32:39.990 --> 00:32:42.123
the Wilmington Public Library.

602
00:32:42.960 --> 00:32:47.820
This library that we have all
come to cherish and respect

603
00:32:47.820 --> 00:32:50.010
is located in a community

604
00:32:50.010 --> 00:32:55.010
that once had its needs and
wants forgotten or ignored.

605
00:32:56.010 --> 00:32:59.730
This library was seen
as a homeless shelter

606
00:32:59.730 --> 00:33:04.590
just a few years ago,
but it took a vision,

607
00:33:04.590 --> 00:33:07.770
a boatload of courage, and
relentless determination

608
00:33:07.770 --> 00:33:09.000
to bring about a change,

609
00:33:09.000 --> 00:33:12.510
which we know the
transformation was not easy,

610
00:33:12.510 --> 00:33:15.210
but we are standing in a place right now

611
00:33:15.210 --> 00:33:19.230
that is seen as a beacon
of light and hope.

612
00:33:19.230 --> 00:33:23.670
This library is a fixture
in a community, and beyond.

613
00:33:23.670 --> 00:33:27.060
You can tell by their
social media platforms.

614
00:33:27.060 --> 00:33:30.914
Take a look at the quality
of shows and events

615
00:33:30.914 --> 00:33:33.330
that they take on every day.

616
00:33:33.330 --> 00:33:37.260
It goes to show you this
library is deeply rooted

617
00:33:37.260 --> 00:33:40.380
and investing in the
community on a daily basis,

618
00:33:40.380 --> 00:33:43.200
so it's no surprise that they have won

619
00:33:43.200 --> 00:33:48.200
this prestigious award amongst
other honorable mentions.

620
00:33:48.660 --> 00:33:51.000
Yes, it's been a hundred years,

621
00:33:51.000 --> 00:33:54.420
yes, the changes have been remarkable,

622
00:33:54.420 --> 00:33:56.340
but do not sleep on this library,

623
00:33:56.340 --> 00:33:59.160
because if you think the transformation

624
00:33:59.160 --> 00:34:01.710
has been phenomenal, just wait,

625
00:34:01.710 --> 00:34:03.993
because they have only just begun.

626
00:34:06.030 --> 00:34:08.610
- I think the most important
thing that I've learned

627
00:34:08.610 --> 00:34:11.100
from this library and
witnessing how it moves

628
00:34:11.100 --> 00:34:14.910
is that they're invested in
investing in the community.

629
00:34:14.910 --> 00:34:16.920
They could easily just be here to,

630
00:34:16.920 --> 00:34:19.590
here, take your books and
go, but they're like, no,

631
00:34:19.590 --> 00:34:23.220
we actually want to pour into
those that are around us.

632
00:34:23.220 --> 00:34:24.990
We're not gonna look up at just any,

633
00:34:24.990 --> 00:34:27.810
we're not gonna turn our
nose up to the community

634
00:34:27.810 --> 00:34:28.650
and just be like, well,

635
00:34:28.650 --> 00:34:31.530
because you're not presenting
yourself a certain way,

636
00:34:31.530 --> 00:34:33.810
you're not worthy, I really do appreciate

637
00:34:33.810 --> 00:34:37.410
how grassroots this library is, so yeah.

638
00:34:37.410 --> 00:34:40.410
- And everyone is welcome here, everyone.

639
00:34:40.410 --> 00:34:43.430
- Thank you, Delaware (crowd cheers).

640
00:34:43.430 --> 00:34:46.320
- We are loyal to the library.

641
00:34:46.320 --> 00:34:49.320
I watch, I scroll on
their page every morning

642
00:34:49.320 --> 00:34:51.120
just to see what's out there,

643
00:34:51.120 --> 00:34:53.010
because I don't wanna
miss out on anything.

644
00:34:53.010 --> 00:34:54.360
So there was a girlfriend of mine

645
00:34:54.360 --> 00:34:57.690
who was having a lot of problems,

646
00:34:57.690 --> 00:35:02.130
and she was the grandmother
of her grandkids,

647
00:35:02.130 --> 00:35:07.130
just this past weekend, they
were having a diaper giveaway

648
00:35:07.260 --> 00:35:12.260
from size one to six, and
she came and she got diapers,

649
00:35:12.900 --> 00:35:15.540
and she said, this is
money that I don't have

650
00:35:15.540 --> 00:35:17.280
that they give it to me for free.

651
00:35:17.280 --> 00:35:21.660
My friends, they all, some
of them come for workshops

652
00:35:21.660 --> 00:35:26.460
like I do for finances, or
I remember the Delaware,

653
00:35:26.460 --> 00:35:29.160
the Delaware Black Chamber of Commerce,

654
00:35:29.160 --> 00:35:32.160
that also had an event here, and yeah,

655
00:35:32.160 --> 00:35:34.760
they're very, very, very
invested in this community.

656
00:35:36.570 --> 00:35:37.980
- Greetings, everyone.

657
00:35:37.980 --> 00:35:39.930
My name is Jamar Rahming, and I serve

658
00:35:39.930 --> 00:35:41.160
as the executive director

659
00:35:41.160 --> 00:35:43.710
of the Wilmington Institute Free Library,

660
00:35:43.710 --> 00:35:45.600
and on behalf of the City of Wilmington,

661
00:35:45.600 --> 00:35:48.840
Delaware Division of
Libraries, New Castle County,

662
00:35:48.840 --> 00:35:51.270
and our great staff and board of trustees,

663
00:35:51.270 --> 00:35:54.003
I'm humbled to accept this honor.

664
00:35:54.960 --> 00:35:57.840
As the Declaration of Independence

665
00:35:57.840 --> 00:36:00.630
represented the end of
the American Revolution,

666
00:36:00.630 --> 00:36:04.530
and emancipation proclamation
pontificated the freedom

667
00:36:04.530 --> 00:36:08.490
of people of African
descent, the IMLS Medal,

668
00:36:08.490 --> 00:36:10.980
the highest honor in library land,

669
00:36:10.980 --> 00:36:13.740
is a resounding victory for us

670
00:36:13.740 --> 00:36:17.130
as we've waged warfare
against the epidemic

671
00:36:17.130 --> 00:36:21.150
of illiteracy in our community.

672
00:36:21.150 --> 00:36:23.610
We have citizens that have never left

673
00:36:23.610 --> 00:36:25.380
the City of Wilmington.

674
00:36:25.380 --> 00:36:28.530
Therefore we have brought
the world to them.

675
00:36:28.530 --> 00:36:32.160
Our citizens have walked
into their city library

676
00:36:32.160 --> 00:36:33.780
and have met and interacted

677
00:36:33.780 --> 00:36:37.200
with some of the most prolific
voices in modern times,

678
00:36:37.200 --> 00:36:41.910
such as Lavar Burton,
Dennis Rodman, Angela Davis,

679
00:36:41.910 --> 00:36:46.503
Dr. Cornel West, Ana
Navarro, and Pamela Grier.

680
00:36:47.460 --> 00:36:51.000
Black boys in our community
were struggling with reading.

681
00:36:51.000 --> 00:36:52.740
With our Barbershop Books initiative,

682
00:36:52.740 --> 00:36:56.010
we set up pop up libraries in barbershops

683
00:36:56.010 --> 00:36:57.510
all throughout the city.

684
00:36:57.510 --> 00:37:00.540
Young black boys now associate reading

685
00:37:00.540 --> 00:37:03.810
with swagger, freshness, coolness,

686
00:37:03.810 --> 00:37:05.523
and the pride of a haircut.

687
00:37:06.360 --> 00:37:08.730
This initiative has transformed our city,

688
00:37:08.730 --> 00:37:11.790
and it will ultimately
transform our nation.

689
00:37:11.790 --> 00:37:14.937
Therefore it is incumbent upon us

690
00:37:14.937 --> 00:37:17.670
and the future of all urban libraries

691
00:37:17.670 --> 00:37:21.360
to make freshness, flavor,
swagger, and coolness

692
00:37:21.360 --> 00:37:24.330
the bedrock of all of our endeavors.

693
00:37:24.330 --> 00:37:27.120
That is how the revolution is won.

694
00:37:27.120 --> 00:37:30.160
Thank you IMLS, for this token of victory.

695
00:38:45.270 --> 00:38:48.810
- Art, history, and science,
all focused on and designed

696
00:38:48.810 --> 00:38:52.260
to celebrate the incredible
diversity of California,

697
00:38:52.260 --> 00:38:54.510
from its people to its plants,

698
00:38:54.510 --> 00:38:57.510
that's the makeup of the
Oakland Museum of California,

699
00:38:57.510 --> 00:39:01.440
founded in 1969 to be
a museum of the people.

700
00:39:01.440 --> 00:39:04.920
I'm Carolyn Johnson, CEO
of the Black Cultural Zone

701
00:39:04.920 --> 00:39:06.960
Community Development Corporation,

702
00:39:06.960 --> 00:39:09.870
and I can't tell you how
many times I've overheard

703
00:39:09.870 --> 00:39:11.520
museum visitors whisper,

704
00:39:11.520 --> 00:39:14.010
I never knew that, and that's important,

705
00:39:14.010 --> 00:39:17.700
because most of the visitors
here are local, not tourists.

706
00:39:17.700 --> 00:39:20.880
You see local school kids
learning about where they live,

707
00:39:20.880 --> 00:39:22.710
how their environment was shaped,

708
00:39:22.710 --> 00:39:25.380
and what generations
before them fought for.

709
00:39:25.380 --> 00:39:28.710
People who visit here see
themselves in the artifacts.

710
00:39:28.710 --> 00:39:30.570
They feel comfortable and welcome,

711
00:39:30.570 --> 00:39:32.580
which is just one of the many things

712
00:39:32.580 --> 00:39:34.680
that makes this museum so special

713
00:39:34.680 --> 00:39:36.273
and deserving of this award.

714
00:39:39.150 --> 00:39:42.000
Oakland Museum of California
has been very important to me,

715
00:39:42.000 --> 00:39:43.440
and it was just a special place,

716
00:39:43.440 --> 00:39:45.300
different than East Oakland,

717
00:39:45.300 --> 00:39:47.700
a place that was different and relaxing

718
00:39:47.700 --> 00:39:49.800
and exciting and inspiring,

719
00:39:49.800 --> 00:39:52.470
so I've loved the museum
since I was in high school,

720
00:39:52.470 --> 00:39:54.930
and so there's no particular program.

721
00:39:54.930 --> 00:39:57.750
I've come to some of the
Black Panther work as well,

722
00:39:57.750 --> 00:39:59.820
some of the Afro futurism work as well,

723
00:39:59.820 --> 00:40:01.560
which is a major exhibit,

724
00:40:01.560 --> 00:40:03.900
so I've had a chance to get
in touch with the exhibits,

725
00:40:03.900 --> 00:40:06.150
with the administration,
and with the festivals

726
00:40:06.150 --> 00:40:07.080
and the events that you have,

727
00:40:07.080 --> 00:40:10.020
so all of OMCA has been
something special for me,

728
00:40:10.020 --> 00:40:13.050
and also the Afrofuturism
exhibit has been something

729
00:40:13.050 --> 00:40:16.740
that's opened their eyes
to what a museum can be

730
00:40:16.740 --> 00:40:18.720
and what it should be
for them in their lives.

731
00:40:18.720 --> 00:40:21.930
I think, again, OMCA and its involvement

732
00:40:21.930 --> 00:40:24.210
in bringing the museum to East Oakland

733
00:40:24.210 --> 00:40:25.560
has been really special,

734
00:40:25.560 --> 00:40:28.680
because it's so far away,
but bringing it closer to us

735
00:40:28.680 --> 00:40:30.150
makes East Oakland folks feel like

736
00:40:30.150 --> 00:40:31.620
we're a part of the museum.

737
00:40:31.620 --> 00:40:33.030
It's a beautiful location,

738
00:40:33.030 --> 00:40:34.560
it's got great art and exhibits,

739
00:40:34.560 --> 00:40:37.110
and it's really connected
to our community.

740
00:40:37.110 --> 00:40:39.420
It's not just a museum for them.

741
00:40:39.420 --> 00:40:42.090
It's a museum for us, so what
I really want folks to know

742
00:40:42.090 --> 00:40:44.700
is that it's here, it's beautiful,

743
00:40:44.700 --> 00:40:46.980
it's meant for us, and it's special,

744
00:40:46.980 --> 00:40:49.680
and I want folks to come
to OMCA to see the space,

745
00:40:49.680 --> 00:40:51.240
to see the art, to see the exhibits,

746
00:40:51.240 --> 00:40:53.400
and know that it's not just for them.

747
00:40:53.400 --> 00:40:54.960
It's for us.

748
00:40:54.960 --> 00:40:57.660
- The Oakland Museum of
California is so honored

749
00:40:57.660 --> 00:40:59.820
to be a recipient of the National Medal

750
00:40:59.820 --> 00:41:02.670
for Museum and Library Services.

751
00:41:02.670 --> 00:41:07.320
This award recognizes our
important role in our community

752
00:41:07.320 --> 00:41:10.470
as Oakland's gathering
place or town square,

753
00:41:10.470 --> 00:41:12.510
as a place where people come together

754
00:41:12.510 --> 00:41:17.070
to build greater trust and
understanding and connection.

755
00:41:17.070 --> 00:41:19.140
Since our founding in 1969,

756
00:41:19.140 --> 00:41:22.320
we've been known as the
museum of the people.

757
00:41:22.320 --> 00:41:24.900
We tell the stories of California,

758
00:41:24.900 --> 00:41:28.020
including the untold
and undertold stories,

759
00:41:28.020 --> 00:41:30.120
and by lifting up these voices,

760
00:41:30.120 --> 00:41:34.530
our visitors see themselves
and their identities reflected.

761
00:41:34.530 --> 00:41:36.390
They connect with other people,

762
00:41:36.390 --> 00:41:39.480
both people like them
and people not like them,

763
00:41:39.480 --> 00:41:42.840
and they feel a sense of belonging.

764
00:41:42.840 --> 00:41:45.900
As we emerge from this
time of social distancing,

765
00:41:45.900 --> 00:41:49.230
we believe Oakland and the
Bay Area needs and deserves

766
00:41:49.230 --> 00:41:51.933
a place like the Oakland
Museum of California.

767
00:41:52.770 --> 00:41:56.250
For us, this award is a
tribute to all the people

768
00:41:56.250 --> 00:41:59.400
whose shoulders we stand
on, not just today,

769
00:41:59.400 --> 00:42:01.320
but for the last 50 years,

770
00:42:01.320 --> 00:42:05.340
our board members and donors,
our staff and volunteers,

771
00:42:05.340 --> 00:42:08.580
our community partners, and for us,

772
00:42:08.580 --> 00:42:12.810
this is a time to rededicate
ourselves to being a museum

773
00:42:12.810 --> 00:42:16.530
of, by, and for all the people.

774
00:42:16.530 --> 00:42:19.800
We are so grateful to
IMLS for this great honor.

775
00:42:19.800 --> 00:42:20.633
Thank you.

776
00:42:31.590 --> 00:42:33.750
- This poem is called "Palaces,"

777
00:42:33.750 --> 00:42:37.147
and it is dedicated to the 2022 and 2021

778
00:42:38.070 --> 00:42:41.820
National Medalists for
Museum and Library Services.

779
00:42:41.820 --> 00:42:45.870
How I love those grand
monumental buildings,

780
00:42:45.870 --> 00:42:50.870
those palaces of the people,
those museums and libraries.

781
00:42:51.150 --> 00:42:54.120
Even the smallest storefront library

782
00:42:54.120 --> 00:42:56.310
wedged next to a RadioShack

783
00:42:56.310 --> 00:42:59.880
feels like a soaring
place of worship to me.

784
00:42:59.880 --> 00:43:03.330
They have a reverential, air conditioned,

785
00:43:03.330 --> 00:43:07.530
hushed, or maybe not
so hushed aura to them.

786
00:43:07.530 --> 00:43:11.190
They say, here readers and wanders,

787
00:43:11.190 --> 00:43:14.250
you may flip through
the racks of romances,

788
00:43:14.250 --> 00:43:16.950
or my favorite, the
811's according to Dewey,

789
00:43:16.950 --> 00:43:19.350
the books of poetry, and then find

790
00:43:19.350 --> 00:43:22.350
what you didn't even know you most needed.

791
00:43:22.350 --> 00:43:24.960
Maybe the word museum
already calls to mind

792
00:43:24.960 --> 00:43:27.510
some marble and columns,

793
00:43:27.510 --> 00:43:30.840
the palaces along Fifth
Avenue's Museum Mile,

794
00:43:30.840 --> 00:43:33.330
back in a time when those
robber barons decreed

795
00:43:33.330 --> 00:43:35.190
all culture should be locked up

796
00:43:35.190 --> 00:43:37.800
in their gilded, Faberge egg mansions,

797
00:43:37.800 --> 00:43:40.680
which already showed so many cracks,

798
00:43:40.680 --> 00:43:42.630
but after untold striving,

799
00:43:42.630 --> 00:43:46.140
there are museums in all
boroughs and all cities now,

800
00:43:46.140 --> 00:43:49.080
and palaces can be made of warehouses

801
00:43:49.080 --> 00:43:51.870
or people's living rooms,
and there are museums

802
00:43:51.870 --> 00:43:53.880
with no walls at all.

803
00:43:53.880 --> 00:43:56.100
Just recently, as I was walking home

804
00:43:56.100 --> 00:43:58.080
over a typically drab bridge,

805
00:43:58.080 --> 00:44:01.830
I became a visitor to an
all-of-a-sudden art gallery.

806
00:44:01.830 --> 00:44:05.160
The piece was aerosol
paint on sheet metal,

807
00:44:05.160 --> 00:44:07.020
but as exquisite as anything

808
00:44:07.020 --> 00:44:09.630
gracing the walls of a cathedral.

809
00:44:09.630 --> 00:44:12.990
A figure drawn with sparse, concise arcs

810
00:44:12.990 --> 00:44:16.110
of black spray paint
was sleeping peacefully

811
00:44:16.110 --> 00:44:19.680
under a two dimensional
blanket, while a smiling,

812
00:44:19.680 --> 00:44:23.460
minimalistic angel hovered
over them protectively,

813
00:44:23.460 --> 00:44:27.750
the angel's wispy body as
long as the sleeper's bed,

814
00:44:27.750 --> 00:44:30.660
angelic legs crossed at the waist,

815
00:44:30.660 --> 00:44:34.920
a floating, dreamlike vision
of safety and serenity,

816
00:44:34.920 --> 00:44:37.650
the sleeper's face and the angel's face

817
00:44:37.650 --> 00:44:40.800
hovered against the
rivets of the sheet metal.

818
00:44:40.800 --> 00:44:44.220
I almost fell to my
knees on the cold cement

819
00:44:44.220 --> 00:44:46.927
when I read the words painted below,

820
00:44:46.927 --> 00:44:49.623
"Rest in peace, Brian," and the date.

821
00:44:50.460 --> 00:44:51.510
But the very next day,

822
00:44:51.510 --> 00:44:54.450
the mural was slathered
over with white paint,

823
00:44:54.450 --> 00:44:57.120
the city deciding that
no museum, no memorial,

824
00:44:57.120 --> 00:44:59.610
was permitted on that bridge,

825
00:44:59.610 --> 00:45:02.040
but despite everything,
I still feel truly lucky

826
00:45:02.040 --> 00:45:04.170
to call the city of Baltimore my home,

827
00:45:04.170 --> 00:45:07.560
the site of so many palatial
museums and libraries,

828
00:45:07.560 --> 00:45:09.330
including my childhood temple,

829
00:45:09.330 --> 00:45:11.370
The Holy of Holies, the central branch

830
00:45:11.370 --> 00:45:13.870
of the Enoch Pratt Free
Library (audience laughs).

831
00:45:14.820 --> 00:45:17.760
Any visit there starts with
the department store windows

832
00:45:17.760 --> 00:45:21.330
decorated with authors' photos
like glamorous movie stars.

833
00:45:21.330 --> 00:45:24.570
And then you sail in through
the towering brass doors.

834
00:45:24.570 --> 00:45:27.180
Of course, my haven was
the children's basement,

835
00:45:27.180 --> 00:45:30.150
with its tiled koi pond
and bean bag chairs,

836
00:45:30.150 --> 00:45:32.250
where I learned the love of storybooks

837
00:45:32.250 --> 00:45:34.830
while watching the city's legs pass by

838
00:45:34.830 --> 00:45:36.990
in the tall cellar windows.

839
00:45:36.990 --> 00:45:39.540
Recently refurbished,
I still love to drift

840
00:45:39.540 --> 00:45:41.880
through that light saturated library,

841
00:45:41.880 --> 00:45:44.850
a grand atrium that asks
you to browse and float

842
00:45:44.850 --> 00:45:46.650
through the stacks at your leisure,

843
00:45:46.650 --> 00:45:49.650
not hurrying you along like
other massive structures

844
00:45:49.650 --> 00:45:51.930
that just want to expel
you from their opulence

845
00:45:51.930 --> 00:45:53.760
as soon as possible.

846
00:45:53.760 --> 00:45:56.970
But I make pilgrimages to the
neighborhood branches too,

847
00:45:56.970 --> 00:46:00.960
those warmer, cozier, outposts
of warmth and book clubs

848
00:46:00.960 --> 00:46:03.150
and night classes and James Patterson,

849
00:46:03.150 --> 00:46:06.330
always so, so much James
Patterson (audience laughs),

850
00:46:06.330 --> 00:46:09.030
but these are the true palaces

851
00:46:09.030 --> 00:46:12.030
that stitch my beloved city together.

852
00:46:12.030 --> 00:46:15.060
In fact, during the 2015
uprising in Baltimore,

853
00:46:15.060 --> 00:46:17.790
the Penn North branch kept its doors open,

854
00:46:17.790 --> 00:46:19.650
and never turned anyone away,

855
00:46:19.650 --> 00:46:22.380
at the insistence of Dr. Carla Hayden.

856
00:46:22.380 --> 00:46:25.350
A similar spirit of openness
infuses my favorite museum

857
00:46:25.350 --> 00:46:28.200
in the city, the American
Visionary Art Museum,

858
00:46:28.200 --> 00:46:30.840
exclusively exhibiting
artists who are self trained,

859
00:46:30.840 --> 00:46:33.420
self-taught, true visionaries.

860
00:46:33.420 --> 00:46:35.430
In their palaces made of toothpicks

861
00:46:35.430 --> 00:46:38.250
and kitschy queer-love
stitched in sequins,

862
00:46:38.250 --> 00:46:41.340
the artists at this museum show
us how to take our oddness,

863
00:46:41.340 --> 00:46:44.430
our obsessions, our untrained
eyes, and make beautiful,

864
00:46:44.430 --> 00:46:48.030
devotional works from our
own lives and memories.

865
00:46:48.030 --> 00:46:49.800
Maybe most essentially of all,

866
00:46:49.800 --> 00:46:52.920
museums and libraries give
the public their dignity.

867
00:46:52.920 --> 00:46:54.780
I think of the Enoch Pratt Library,

868
00:46:54.780 --> 00:46:57.510
purposefully designed
without any imposing stairs

869
00:46:57.510 --> 00:47:00.900
at the entrance, relieving
all the stroller pushers

870
00:47:00.900 --> 00:47:03.480
and those for whom the
stairs would be a barrier,

871
00:47:03.480 --> 00:47:05.700
how rare it is to share a public space

872
00:47:05.700 --> 00:47:08.220
that actually invites us in.

873
00:47:08.220 --> 00:47:11.100
So I think too of the St.
Louis county Public Library

874
00:47:11.100 --> 00:47:14.190
going late-fee free and
merging with the city system

875
00:47:14.190 --> 00:47:16.050
to better serve their community,

876
00:47:16.050 --> 00:47:19.020
or the Asheville Art Museum
showing us how to celebrate

877
00:47:19.020 --> 00:47:21.780
regional culture while
also situating that culture

878
00:47:21.780 --> 00:47:24.210
within all sorts of arts and artifacts,

879
00:47:24.210 --> 00:47:25.950
just as they merged old and new

880
00:47:25.950 --> 00:47:27.360
with their incredible building,

881
00:47:27.360 --> 00:47:29.700
which is a work of art in itself.

882
00:47:29.700 --> 00:47:32.340
Consider too the dignity
that the Wilmington Institute

883
00:47:32.340 --> 00:47:34.560
Free Library offers its patrons,

884
00:47:34.560 --> 00:47:37.770
a gilded beauty of a library
with carved sculptures

885
00:47:37.770 --> 00:47:39.870
of winged creatures along the roof,

886
00:47:39.870 --> 00:47:42.120
keeping some traditions
alive while also offering

887
00:47:42.120 --> 00:47:45.780
all the wonderful services
of a modern library system,

888
00:47:45.780 --> 00:47:48.180
and the Amistad Research
Center's collections,

889
00:47:48.180 --> 00:47:50.670
which redeem often concealed histories,

890
00:47:50.670 --> 00:47:53.070
telling stories of freedom
and dignity through methods

891
00:47:53.070 --> 00:47:55.650
as varied as land deeds and newspapers,

892
00:47:55.650 --> 00:47:59.040
or the art forms of poetry
and contemporary zines.

893
00:47:59.040 --> 00:48:00.900
Let's also learn from the Burke Museum

894
00:48:00.900 --> 00:48:02.790
of Natural History and Culture,

895
00:48:02.790 --> 00:48:04.470
an institution which teaches us

896
00:48:04.470 --> 00:48:07.410
how interconnected
archeology, paleontology,

897
00:48:07.410 --> 00:48:09.000
folklore, and art can be,

898
00:48:09.000 --> 00:48:11.850
an ecosystem as intricate
as the Pacific Northwest,

899
00:48:11.850 --> 00:48:13.830
which this museum serves.

900
00:48:13.830 --> 00:48:15.600
The Oakland Museum of California too

901
00:48:15.600 --> 00:48:19.350
also uses one region as
a window into all places,

902
00:48:19.350 --> 00:48:21.930
showing how California
is so much more complex

903
00:48:21.930 --> 00:48:24.480
than any one narrative can encompass,

904
00:48:24.480 --> 00:48:27.300
a kind of city institution
that is truly connected

905
00:48:27.300 --> 00:48:30.060
to its city, not just a closed off space

906
00:48:30.060 --> 00:48:33.300
that only has the address
of a certain location.

907
00:48:33.300 --> 00:48:36.030
This is why we need
museums and libraries too,

908
00:48:36.030 --> 00:48:38.610
if only because they are
some of the only places

909
00:48:38.610 --> 00:48:41.550
that won't turn a community
member away for not paying,

910
00:48:41.550 --> 00:48:43.530
or get someone arrested or try to haggle,

911
00:48:43.530 --> 00:48:46.800
fool, confuse, numb, or
distract their visitors.

912
00:48:46.800 --> 00:48:50.550
No, these are people's
palaces, made for dignity.

913
00:48:50.550 --> 00:48:52.740
Every medalist today and every finalist,

914
00:48:52.740 --> 00:48:55.920
every institution that
promises a moment of calm,

915
00:48:55.920 --> 00:48:59.730
of learning, of illumination,
these are our palaces.

916
00:48:59.730 --> 00:49:01.950
From the closed stacks
of special collections

917
00:49:01.950 --> 00:49:03.750
to the most visited museums,

918
00:49:03.750 --> 00:49:06.870
these grand, varied,
municipal organizations,

919
00:49:06.870 --> 00:49:09.510
from central branches to
neighborhood outposts,

920
00:49:09.510 --> 00:49:11.910
with their guardian lions made of stone,

921
00:49:11.910 --> 00:49:14.790
with their water fountains
that always taste like pennies,

922
00:49:14.790 --> 00:49:17.250
with their air of discovery and wonder,

923
00:49:17.250 --> 00:49:19.200
from the most massive city museum

924
00:49:19.200 --> 00:49:21.120
to the smallest roadside memorial,

925
00:49:21.120 --> 00:49:24.510
let's keep these palaces alive
and free of all barriers.

926
00:49:24.510 --> 00:49:25.997
Thank you for listening
(audience cheers and applauds).