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With Aeneas having got himself out of Troy
he now starts on his wandering adventures.

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We obviously know this well from Odysseus'
tales of Book nine through, in Books nine

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through twelve of the Odyssey.
Oh, Homer sorry, Virgil's are quite

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different.
And for us to focus on those differences

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is really pays off great dividends.
First of all, as we said when we were

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talking about the rationalizing impulse
that Virgil brings to his myths these

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stories are all mappable.
These are specifically located on real

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geographical places that we can point to.
Let's start off with this place, Troy.

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We know exactly where that is.
The legendary place of it helped guide

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where we should have looked.
So there was a location on a map back then

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about what Troy was all about.
The first place they go and stop after

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their escape from the burning of Troy is
this place called Thrace.

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Thrace up in northern part of the area of
the, the great extent of Greece it's well

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known for being a little bit wild and
strange in Greek custom and the first

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adventure that they have leads them to
rather spooky scene at Thrace which is

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right near Troy.
Aeneas locates the body of Polydorus.

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You'll recall, or you'll recall from
reading, that the suggestion is talked

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about, about where Polydorus comes from.
He was Priam's son who was entrusted to

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the King of Thrace during the Trojan War
with a hefty ransom.

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Well, after Troy fell the king just
decided go ahead and take the ransom and

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kill the kid.
So poor Polydorus is there under awful

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circumstances buried in the ground.
And he starts spouting up oracles.

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Oracles that come from the dead, so called
necromancy are things that are well known,

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but very, understood to be very spooky in
Ancient Rome.

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It's not a normal way of getting oracles.
When they hear this, that it's time for

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them to move on, this is not a good place
to get their city started Aeneas and the

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boys hop on the ship and off they go.
The next place they go is Delos.

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Now Delos is well known as a famous place
for Apollo's oracle.

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It's not, though, quite as Greek invented
in Greekness as Delphi is.

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Let me just clarify that.
Delphi has a very rich tradition.

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Delos has one too.
Both of them are anchored in the Greek

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past.
Delphi's, though, is more central.

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Delos is by no means peripheral but I
don't think that Virgil could have quite

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had his hero go find out the truth of what
he needed to find at Delphi.

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That would have been too Greek too
connected with what we know the Greeks to

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have expected.
So instead we go to Delos.

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Again, a very well famous, a very famous
and well-respected Greek place and, an

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oracular shrine.
But not the main one of Apollo which in

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long tradition turns out to be Delphi.
We know Delos of course from our Homeric

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hymn to.
Apollo, so the oracle there tells them

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they should seek where the Trojans first
came from.

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The idea is that there is some early
ancestral land out there where Troy needs

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to be reestablished.
Now the story that Delos tells, makes this

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new home that Aeneas is seeking actually.
And earlier home, a primer home.

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It just so happen in the story such as
Virgil tells it.

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Actually, it's not just that the Romans
come from the Trojans, actually, yeah the

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Romans come from the Trojans.
But the Trojans originally came from the

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Romans.
Virgil's giving us a story in which the

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ancestral home of Troy is actually Rome.
So it has the, the, the roll of being,

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originary the actual, originary spot of
this whole race.

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So when Dylos says, go find your,
background, he saying to, Virgil's saying.

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Through that message then what happening
here is a refounding of an originary

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kingdom Rome is.
From Delos they head off to thinking that

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they're looking for an ancient place that
could have been the background of Troy.

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They head off to Crete.
Makes sense.

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Crete was well known, as we've mentioned,
mythologically as a very ancient place and

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if we're looking for some ancestral home,
it may well have been there.

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So they go and they start and they get
started their building.

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They're building their walls.
Notice how many times we're going to see,

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during this book of fits and starts in
book three we're going to see Aeneas and

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his.
Mates, getting started building a city.

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They'll build walls, they'll lay out
plans.

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And then something bad happens.
So at Crete, they're getting started on

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the building of the city and there's a
pestilence that appears.

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A awful plague that visits the men.
They fall down sick.

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And then the household gods appear to him
in a dream, as we mentioned earlier on,

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talking about the rationalizing spirit in
Virgil.

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These gods tell him it's time for you not
to be here, but somewhere else.

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You've got to move on.
It's actually in Italy.

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Go there.
So at this point now, Virgil and his mates

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know what to do and off they head.
They have a stop at the island of the

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harpies, in the Strophades showing up here
on the western edge of, of Greece.

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These harpies are nasty well-known beasts.
They show up in some famous freezes and

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other artistic representations.
They're things with wings that come down

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and just spoil your food.
Those who have try to have a picnic near

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flocks of pigeons might have some people
to relate.

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A little bit to what this kind of
experience was like.

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So it was, they were unable to get any
nourishment.

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They also hear a nasty oracle there from
the mean Harpy Celaeno that they won't

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found Rome until they eat their tables.
They're going to be apparently so hungry

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that they eat their tables.
This prophecy is fulfilled in book seven

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when they realize that their bread
platters that they're using to hold their

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food up is actually what the Harpy was
referring to.

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They then go right past Ithaca.
This shows up on page 75 in your

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translation.
Not much mention of it, right.

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Hello to Odysseus but we're not going to
spend a lot.

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I'm worrying about you, it's almost like a
kinda like a kiss off to,

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To Ithaca where he's not going to spend a
lot of time talking about it.

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We then go to Chaonia in Northern Greece
on the Adriatic side to this town that's

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there and we hear the story of Andromache,
who was Hector's wife, abducted by a Greek

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man named Pyrrhus, a son of Achilles,
after the Trojan War and taken back to

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this land of Chanoia.
Then Pyrrhus dies and Helenus, who is a

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son of Priam and another one of Pyrrhus's
captains, inherits the kingdom.

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Now we have a kind of new Troy that's been
found here Chanoia by.

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Great Trojan aristocrats, Helenus together
with Andromache, Hector's wife, and this

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would seem like it would be a good place
to found Troy.

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But it turns out no, it isn't.
We can't have a new Troy here.

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Aeneas, you've got to move onto another
place.

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A famous prophecy then comes out.
Helenus is well know for his prophetic

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acumen in the Trojan materials.
He then tells them that they have to go

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talk to the Sibyl.
He gives them a further clarification of

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the prophecy. Yes, it's going to be Italy
but in order to find what to do, they have

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to go find the Sibyl and she will give
them specific directions on where to go.

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That's going to require, yes, indeed, a
trip to the underworld, something we'll

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see in book six.
They then make their way aross the, the

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sea between, Greece and Italy and over to,
the, over to the land of Aetna where they

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see this belching volcano, and they hear
discussion of the Cyclops.

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Now on their way there notice what they
don't do is go through the Scylla and

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Charybdis.
It's possible that they could have gone

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through this little narrow isthmus between
the tall Italy and the island Sicily but

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they avoid it.
This is Virgil, I think, telling us that

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Aeneas is a different kind of captain.
Remember what Scylla and Charybdis forced

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Odysseus into.
Well, he's going to have to choose one or

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the other.
If he chooses Charybdis he could lose all

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his men so he's just going to sacrifice
some of his men and go past Scylla and

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have them be eaten.
Well, Aeneas finds another way.

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Rather than try to go through there let's
go round the outside of Sicily.

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That outside path there around the
southern edge moving his way westward in

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that way.
So he avoids altogether the tough choice

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that Odysseus found himself with, and it
is the wisdom here and respect for all of

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his peers, all of his, all of the men in
his crew that I think Virgil is making a

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strong point of pointing out to us.
So we get to this land of Aetna, and on

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that land we meet the Cyclops.
We hear about him and the way we get into

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the Cyclops's tale is, again,
interestingly from this figure

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Achemenides.
Achemenides is someone who was abandoned

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by Odysseus.
On page 87 to 89 we hear his story, and he

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talks about how my shipmates left me here.
So we're going to get.

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Odysseus' famous example of him being a
grand hero and defeating the Cyclops we're

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going to get a window on what that's all
about via one of the men that Odysseus

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abandoned.
So what we're learning about Odysseus so

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far from the episode that we saw with
Cynon the abandoned man here, the sort of

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brush off to Ithaca is that Odysseus is a
conniving liar and he's someone who

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doesn't get all his men home safe.
So the different values that are emerging

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in this story are contrasted specifically
with the kind of values were, we were used

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to seeing Placed front and center in
Homer's story.

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A different kind of hero here.
We're going to focus on that in a coming

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lecture but notice what's happening with
the legend of Odysseus.

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He has been recast now in something that
is fair enough but a different kind of

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casting.
He's a nasty liar and someone you can't

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trust.
The, the Romans are not going to embrace

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that figure at all.
So after we hear the tale of the Cyclops,

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we make our way around Sicily avoiding
again, so and Charybdis,

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We've could have gone there right after
our right after our meeting on Aetna with,

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with Achaemenids But instead, we go around
and we get to Drepanum.

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From there, we know that, the father and
Kysis passes away.

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Sad thing for Aeneas, but a kind of
necessary thing.

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The past now needs to be inhabited and
carried forward by, by Aeneas.

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It's no longer going to be up to his
father.

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Other to carry traditional it's now passed
down to the next generation.

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There are some that have looked at this
set of journey that, that goes one and

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talk about yes, there is a.
Definitely an Odyssean character to them,

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and quality to them.
But there's also, not only Odysseus's

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journey is being.
Captured here but also some of Telemachus'

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journey is being capture here.
Aeneas is referred to as a young man by

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the Trojans as he runs into them.
Some of them school him and bring him

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along, especially Helenus and Andromache.
He's being raised and nurtured in the

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adventures he has, in some ways parallel
to the way Telemachus is in books one

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through four of the Odyssey.
Now that's not to say that Telemachus is

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the only parallel.
Odysseus is there too but it's a way of

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seeing how Aeneas, or Virgil always takes
elements from Homer and puts a different

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spin on.
And twist them just a little bit, and, and

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comes up with something entirely new in
his way of treating them.

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So after we buried or after we've left the
father of Drepanum. We are on our way now

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to Carthage we're going to pick back up
with the story where Virgil start had

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Aeneas take it over at the close of Book
one.

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We're going to learn about some events
that happen there in Carthage focusing on

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what happens with.
Dido, especially.

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Before we do, let's talk a little bit more
about what we've learned about this new

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Roman hero this figure of Aeneas.