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Before we move on to tragedy, we've got
another tool to put into our toolbox.

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You'll recall that we're take, taking a
step back at certain points in the course,

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and making some theoretical observations
on how these myths work.

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We've talked about structuralism, and
psychoanalysis, and functionalism as ways

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to get a grip on the myths that we're
working with.

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Wanted to introduce another one to us
here, myth and ritual.

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Myth and ritual school of thinking about
myth.

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Two figures to introduce to get our
conversation started.

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Emil Durkheim, dates 1858 to 1917.
And Jane Harrison.

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Her dates, 1850 to 1928. Durkheim,
important figure in all, many different

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human sciences, who's really interested
in, the social phenomenon of what it is to

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human.
When humans get together in groups,

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amazing thing start to happen.
Jane Harrison, is for us the bringer of

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these ideas in, about ritual in general
over specifically into the reading of

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classical myth.
We're going to focus on her as we talk

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about some of the relevance of Durkheim's
ideas, that we're made relevant through

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Harrison's work.
So Durkheim realizes that human beings,

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when they get together in groups have
amazing kinds of feelings that show up a

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term that he had coined, called collective
effervescence, talks about the added plus

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of,
To an experiential level of what life is

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like when whole groups of people get
together to do things this is not

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reducible to, but it's not that separate
from big groups of people doing anything,

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showing up to watch the same football game
and tens of thousands of people doing the

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same thing you are has a way of urgency
and power to what's happening.

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Durkheim went so far as to say that,
actually, this feeling of collective

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effervance, effervescence, way back in the
dawn of time, was the reason that human

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beings started thinking about divinities
at all.

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That the divine was an epiphenomenon of
the feeling of collective effervescent

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that happens when people get together.
There is something quite stunning about

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the, those affective feelings and they
were they seemed to be absolutely just as

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true now as they surely were in Durkheim's
time and Durkheim projects them into the

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very early times of human existence.
Now this feeling of collective

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effervescence that, that Durkheim points
to is so important, he says gets harnessed

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when human beings engage in ritual.
Ritual behavior is something that's

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observed across, human groups.
All, all universally across many different

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cultures. what humans do is get together.
They behave in collective ways, issuing

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different kind of, sometimes strange,
always very stylized behaviors.

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These happen at certain heightened
moments.

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So the importance around things like
transitions are were also taken to mark

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new obligations and new duties with, that
are important to a society.

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And these rituals anchor that commitment
and sense of transaction, the newness of

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someone's possession within a social
group.

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This Durkheim says is the, the function of
ritual is to anchor these moments in our

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lives.
And it's confusing enough as all of us

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would probably acknowledge, to be a human
being.

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People make promises.
Sometimes those promises are kept,

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sometimes they aren't.
People let, allow debts to go unpaid.

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Sometimes it's hard to discern the truth
behind things.

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People make transitions and it's not clear
when that transition has been made.

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Durkheim says rituals solve this
ambiguities for us by making them utterly

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clear to a group as a whole, and so
actually does more than just mark a

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transition or a promise, it actually
enacts a transition or a promise.

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Let me give you a,
An example. If someone asks me, hey, do

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you want a sandwich?" I may say,
Yes, I do.

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And after saying I do I get a sandwich.
And all I've done is convey a preference

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to someone and someone, yeah, I'm sure,
goes ahead and fulfills it and gives me a

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sandwich and then I can eat that and
thanks.

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Now we've had lunch together.
There's another context though, in which

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those same words might be uttered in a
slightly different way.

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At American wedding ceremonies that
typically lead to a moment of, really

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important, grand, grand importance, where
someone asks a question will you two

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become spouses to each other?
Will you stay with each other for ever,

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and ever, and ever.
And at a certain point someone's supposed

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to say I do.
Now, those same words, those same simple

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words.
In English, those two words, I do in

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answer to someone wanting to give you a
sandwich are one thing.

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Maybe oblige you to accept the sandwich
and carried forward on the fact that you

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really were hungry for it, and you wanted
to eat it.

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In the context of a ritual, though,
they're much more important.

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They're actually efficacious speech.
They do more than just mark something, a

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preference that you have.
They actually commit you to it, change

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your status such that, within the society,
you now all of a sudden become something

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different.
You've made a transition that is marked,

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and taken an oath that is marked in the
society, and is made to be efficacious.

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Rituals have the power to do this,
According to Durkheim.

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Now, when the talk about rituals early in
the previous century starts to come up to

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a higher and higher level of importance,
people realize just how important rituals

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are in anchoring human life.
Those who are interested in myths start to

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take notice.
And upon reading, not just the, the

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specific myths that we've been reading
this week.

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But many myths where it seems pretty clear
that myths and rituals are intimately

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tied.
People who are interested in myths start

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to say you know what, there is this deep
connection between rituals and myths, and

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in order to understand how myths are
working, we've got to understand their

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connections with ritual.
At this point Harrison comes along and

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publishes several important works where
she starts to develop, and others join

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her, a claim that says that, in fact,
behind all of Greek mythology,

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What we're going to find as the core thing
that makes them tick is going to be some

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ritual behaviour.
We've seen this in our Homera camps.

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It's clearly true, that the writers of
these hymns and,

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Well let's, let's not say clearly true.
But It's absolutely plausible and the

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best.
Interpretation of the evidence that we

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have that the writers of these hymns were
presented with ritual behaviors that were

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happening around them and drew up a mythic
story in order to explain those mythic

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behaviors.
So the strange drink that we drink in

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honor of Demeter at the Eleusinian
mysteries, where did that come from?

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Where did the rites of Eleusis come?
Why do we celebrate them in honor of

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Demeter?
What's the connection with everlasting

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life?
How do these things all tie together?

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Well, Harrison's suggestion, the myth and
ritual school, is that what's happened is

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ritual behaviors have been going on and on
and on for many generations in very old

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times, pre, back to prehistoric times,
very old times.

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And, at a certain point, those ritual
behaviors that are,

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Keep getting repeated every year, strikes
some people as sort of strange.

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Why is it that we do this?
When people start to ask that question,

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this is where myth rushes in.
Myth rushes in to the vacuum of sense and

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understanding that we have around bizarre,
stylized behaviors that we practice in

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rituals.
Now, the ritual behaviors that we

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practice.
Yeah, we'll find meaningful, ways of

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trying to, trying to understand them.
But mostly, what we do when we're

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performing them, is we just want to make
sure we perform them the way they're

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always performed.
You want to make sure that your particular

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version of a ceremony matches up with the
version of the ceremony last time, the

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time before, the time before, back to time
immemorial.

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The pure repetition of the action seems to
be what's most important.

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Now, that can carry forward in its own
trajectory.

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It has a momentum of its own.
Just let me repeat these behaviors.

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At a step, at, the myth and ritual says,
you know,

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At a certain point, these behaviors, after
people engage in them and keep them

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carrying forward.
They acq-, they require some kind of

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explanation.
Someone steps back and says, why do we do

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this?
And when they step back and ask that

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question,
That's when myth rushes in.

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We've seen it with the Homerican to
Demeter.

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Clearly, Apollo very carefully tied in
with mythic stories.

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We've already seen this in our discussion
of, Hesiod's Theogony.

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Remember the episode at Mekone,
The connection there is very clear.

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Hesiod seems to be giving us a mythic
story that helps us understand why it is

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that we Greeks sacrifice the bones to the
gods, and keep the good stuff for ourself.

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And it even seems we're trying to trick
the gods by wrapping them in fat, and then

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keeping all the rich meats for ourselves.
Now, that may well be fits perfectly into

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Hesiod's story.
It's we talked about how it makes sense

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with respect to what Hesiod has before and
after it.

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But the myth and rituals would say, you
know, this is what's really motivating and

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driving this part of the story and is an
attempt by human beings to come up with an

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explanation for some kind of strange
ritual behavior that they otherwise could

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not figure out, they otherwise could not
explain.

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Now ritual behaviors, just on their own
are provocative.

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They are not typically normal kinds of
behaviors.

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We've got things like processions, and
chanting, stylized gestures of all kinds,

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odd foods and strange names come out.
There's all kinds of foreign strange not

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normal not every kind of day things that
happen.

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Ritual actions are provocative.
The myth and ritual says that, that

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provocativeness is what makes myths
happen.

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Now, we've seen example of this with the
Homeric hymns and also, we mention Mekone

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the myth and rituals who's really pressing
this line is going to say, you know what,

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all of myths that we have, have some
ritual underneath them.

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There is some ritual behind them that is
driving the myth.

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And the myth has shown up as, let's call
it a sound track, for ritualized behavior

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that just, is something we want to do
every year, not quite knowing what it

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meant.
The myth shows up as a soundtrack

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narrativizing that for us and giving us a
sense of why we do the things we do, in

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our ritual behaviors.
So the, myth and rituals jumps into any

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part of a myth, and tries to find the,
ritual that might lie behind it.

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And, the, the more that we learn about
ancient rituals the more we can bring to,

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to bear a stock of understanding of how
rituals work and try to say that make,

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make a whatever legitimate claims we can,
that behind each pieces of the myth some

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ritual is there as the spur to that mythic
tale.

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If myth and rituals were looking to a tale
the tale about.

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Odysseus of the cyclops for example.
Now there wouldn't be a lot of discussion

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about food and not food as we did in kinda
a structural thing earlier.

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Instead a myth and ritualist would say,
huh, we got a hero here who goes into a

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cave, slays a beast, has this awful
experience and emerges in now, a kind of

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new life, having preserved himself from
mortal danger.

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Well in fact when we look back in Greek
rituals there's quite a lot of them.

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So called Katabasis rituals where
individuals that are getting involved in

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or individuals that are going through
certain kinds of rituals, enter into

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caves.
There are scary things that happen to them

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and they emerge into a kind of new life
situation.

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It may well be that behind the Cyclops
Episode was some, one of these kind of

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catabasis rituals.
To do a proper myth and rituals reading

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requires a very broad knowledge of Greek
ritual.

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This is not something we're covering in
the course.

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So it's, it's not going to be expected at
any point in the course that,

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All of a sudden, all of us have lots of,
detailed information about Greek ritual.

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But what I want to use with this tool is
to say that, when we start to see

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connections, between myths and rituals,
and there are, we've already seen many of

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them.
We surely saw them this week with the

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Homeric hymns, and we'll see many more to
come.

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When we see those connections the myth and
ritual says, yes, that's indeed how myths

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work.
They're there as the soundtrack for ritual

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behaviors, strange ritual behaviors that
provoke people trying to invent

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explanations of them.
And when they do, they tell stories, and

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these stories are what you and I call
myth.